A Quote by Michelle Zauner

Soft Sounds' was really hard for me. I was petrified of the 'sophomore slump' so I created an environment to best combat that self-doubt and feelings that my first album was a real fluke.
My main memory of 'Soft Sounds' was that I was so convinced that 'Psychopomp' was this fluke - I had this real pressure of avoiding the sophomore slump.
I was afraid of the sophomore slump even before our first record came out. It was a very real fear because I'd watched so many bands I'd loved in the past not deliver. I knew it was a very real thing. I didn't know why it happens, but I'd been thinking about it a lot.
I never even thought the sophomore slump existed. You hear the saying, but you never thought it was for real or anything. But that's kind of what happened to us last year, and I don't know really why that is.
As an actor, it's all about whether you can sell the emotion on your face... that desperation, the panic and rage that comes with combat. The emotion of combat is important to me. I mean, you feel almost sick if you see a real fight where someone is getting badly beaten up. You can get emotionally involved in combat that has nothing to do with you in real-life, let alone if you are actually in it... or it's someone you know, and so you should have those same feelings on film.
By some fluke, my folks forgot to ask me the question most crucial to ensuring a lifetime of self-doubt: 'What if you fail?
All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent. I think the theme of the album probably was just that it was our first record. ... Back when we were first making records, you didn't just make the music, you put a great deal of energy into the way it looked, and every word that was written on the whole thing.
More than anything, I’m excited to have the artistic freedom and opportunity to make a sophomore record. Everybody dreads the sophomore slump, whereas I am embracing it and can’t wait to either go down in flames, or take it to another level. It’s not going to be in the middle – it’ll be one way or the other. That’s how it has to be.
I think the problem with the term graphic novel is it sounds pompous, it sounds pretentious, whereas on the continent, they call it an album, which to me sounds, it's got more much of a connotation of a kind of a music single and an album collection.
Karen wasn't hard, she was soft, too soft. A soft touch. Her hair was soft, her smile was soft, her voice was soft. She was so soft there was no resistance. Hard things sank into her, they went right through her, and if she made a real effort, out the other side. Then she didn't have to see them or hear them, or even touch them.
Oh, gentle feelings, soft sounds, the goodness and the gradual stilling of a soul that has been moved; the melting happiness of the first tender, touching joys of love- where are you?
All the songs that were written for that album are just all our first sophomore songs. So they're all from real life. Very sweet and very innocent.
I made my first album, and I guess it wasn't a fluke, because now I'm on my 16th.
Most people don't take some things into consideration. When they hear an album, they hear the artist or they hear the lyric or they hear the melody. But they don't really think about the environment in which it was recorded, which is so important. It's that thing that determines what the album sounds like.
Doubt is most often the source of our powerlessness. To doubt is to be faithless, to be without hope or belief. When we doubt, our self-talk sounds like this: 'I don't think I can. I don't think I will.'... To doubt is to have faith in the worst possible outcome. It is to believe in the perverseness of the universe, that even if I do well, something I don't know about will get in the way, sabotage me, or get me in the end.
You know, in college, your second year they expect you to have a sophomore slump.
Album 1 is proving that you're worth listening to, album 2 is proving that it wasn't a fluke, and album 3 is the most authentic thing I've ever done.
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