A Quote by Michiel Huisman
The 'Age of Adaline' was very special because it marks for me the first male lead on a proper Hollywood production.
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The Age of Adaline was very special because it marks for me the first male lead on a proper Hollywood production.
Suri is my daughter, she's very, very special to me, and this project took a lot of time and because it's my first feature I wanted her to know that she's so special to me. I thought that as she gets old that will mean more to her, that she's always the most important, and I wanted to give her a special thanks because she means everything to me.
47 Ronin is a very special movie for me. Not only a Samurai thing. Not only a Hollywood fantasy. It has a very special mixture between Japanese traditional culture and Western culture for the costume, set, story. Everything. I believe it will be a very special film that no one has ever seen.
I think I will always feel a special relationship with The Umbrellas of Cherbourg, because for me it was something very, very special. It was a modern opera, and to play the heroine in a film that became such a success at a young age, and learning from him when I was so young and impressionable - really it was one of my most important experiences.
I'm not to say that my male counterparts do, but certainly, it feels very special to me because I know that so few women have had the opportunity to do what I'm doing, so I'm thrilled by it every day.
It's a fact, the majority of films in Hollywood are from the male perspective. And the female characters, very rarely do they get to speak to another female character in a movie, and when they do it's usually about a guy, not anything else. So they're very male-centric, Hollywood films, in general. So I think it's incredible that Ned Benson, when I said I'd love to know where she goes, says okay, I'm going to write another film from the female perspective.
It's rare to see women in a film who are not somehow validated by a male or discussing a male or heartbroken by a male,or end up being happy because of a male. It's interesting to think about, and it's very true.
People talk about Hollywood as a myth, but in reality, when you make Icelandic movies and you want to get them distributed in the U.S., you're not really working with Hollywood. The movies I've been making, the first one I made, I made it with Working Title, but it was financed through Universal, so it became a Hollywood production.
Everyone's talking about insoles nowadays, saying that it's a male necessity. To tell you the truth, I always use it because for people like me that started dancing at a very young age, it's more stable for me if my heel is pushed back a little. I wear it because it can make me dance better. But of course, since I wear it, my legs look longer too.
My first U.S. Open I think was just very special for me because that was sort of the beginning of what was a 'Cinderella' story for me.
From a very young age my mother persuaded me that I could write for fun, but I had to have a proper job - very good advice.
Marilyn Monroe Productions was the first female-owned production company in Hollywood. She paved the way for women in Hollywood, and every single woman owes something to her for that, whether they agree with her image or not.
There might be a proper age to know how to tell a story, but there's no proper age to start telling them.
I came of age as a male lead actor just as the TV landscape dramatically shifted.
Any ensemble - they didn't call it "the all-male Expendables," for example. But it's Hollywood's fault that people say that, because there have been so few movies that have allowed women to have these leading roles, so that's Hollywood's fault.
I could not flourish in the Hollywood system because the first thing spoken about is "What genre is it?" and "Who's it for?" It's a very strange question to me; it's for human beings.
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