A Quote by Michio Kaku

Chemistry is the melodies you can play on vibrating strings. — © Michio Kaku
Chemistry is the melodies you can play on vibrating strings.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the 'Mind of God' is cosmic music resonating in 11-dimensional hyperspace.
In string theory, all particles are vibrations on a tiny rubber band; physics is the harmonies on the string; chemistry is the melodies we play on vibrating strings; the universe is a symphony of strings, and the "Mind of God" is cosmic music resonating in 11 dimensional hyperspace.
What is the universe? The universe is a symphony of vibrating strings...we are nothing but melodies. We are nothing but cosmic music played out on vibrating strings and membranes.
...the laws of physics, carefully constructed after thousands of years of experimentation, are nothing but the laws of harmony one can write down for strings and membranes. The laws of chemistry are the melodies that one can play on these strings. the universe is a symphony of strings. And the "Mind of God," which Einstein wrote eloquently about, is cosmic music resonating throughout hyperspace.
The beauty of string theory is the metaphor kind of really comes very close to the reality. The strings of string theory are vibrating the particles, vibrating the forces of nature into existence, those vibrations are sort of like musical notes. So string theory, if it's correct, would be playing out the score of the universe.
I feel my spot is somewhere between a bass player and a rhythm guitar player. I play with a pick. I play very aggressively. I always have a distortion pedal in line, and I play less melodies and do more stuff against the guitars that create melodies.
It's the strings vibrating at the same time but separately that makes a good marriage. It messy, it's complicated and it's quite wonderful.
In old age our bodies are worn-out instruments, on which the soul tries in vain to play the melodies of youth. But because the instrument has lost its strings, or is out of tune, it does not follow that the musician has lost his skill.
According to String Theory, what appears to be empty space is actually a tumultuous ocean of strings vibrating at the precise frequencies that create the 4 dimensions you and I call height, width, depth and time.
With a four-string, the middle range is less of an option. That kind of 5th that you play on those A and D strings isn't there. So a lot of traditional rock sounds, you can't play them. But to be honest, there was no particular intention when I started playing with four strings. It just worked out that way and it sounded cool.
Jim had melodies as well as words. He didn't know how to play a chord on any instrument, but he had melodies in his head. To remember the lyrics he would think of melodies and then they would stay in his head. He had melodies and lyrics in his head, and he would sing them a cappella, and we would eke out the arrangements.
Sometimes I get too wound up in my chemistry, but if you play chamber music, it's impossible to think about chemistry.
Whatever you're feeling is what you're vibrating and what you're vibrating is what you're attracting
We would be glad to have your friend come here to study, but tell him that we teach Chemistry here and not Agricultural Chemistry, nor any other special kind of chemistry. ... We teach Chemistry.
People talk about offensive chemistry all the time, but defensive chemistry is something you have to build, too, and there's a lot of that work to be done with just communications and the feel of who certain guys play.
In general, therefore, color is a means of exerting a direct influence upon the soul. Color is the keyboard. The eye is the hammer. The soul is the piano with its many strings. The artist is the hand that purposefully sets the soul vibrating by means of this or that key.
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