A Quote by Michio Kaku
If space is a fabric, then of course fabrics can have ripples, which we have now seen directly. But fabrics can also rip. Then the question is what happens when the fabric of space and time is ripped by a black hole?
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So while you're getting ripped apart head to toe as you fall into a black hole, you will also extrude through the fabric of space and time, like toothpaste squeezed through a tube. To all the words in the English language that describe ways to die (e.g., homicide, suicide, electrocution, suffocation, starvation) we add the term spaghettification.
A lot of the things you see in science fiction revolve around black holes because black holes are strong enough to rip the fabric of space and time.
What I do for living, working on something called string theory which we think may answer the fundamental question: Are there other universes? Can you go through a black hole? Can you warp the fabric of space and time and meet your mother before you were born? These are all questions that in principle string theory should be able to answer.
Golly, he's just a pest and your worst best friend,
Who mend and rip space-time fabric like polyester blend.
Before 1915, space and time were thought of as a fixed arena in which events took place, but which was not affected by what happened in it. Space and time are now dynamic quantities... space and time not only affect but are also affected by everything that happens in the universe.
One asana is strong, then again another is very soft and gentle. So you have this modulation from one asana to another, just as you have from one feeling to another. Then they all, of course, make you lighter, give you space. I feel that space is what I get and receive and like to have - space inside which makes more space for openness outside.
Beautiful fabrics last; synthetics don't. Certain fabrics, such as linen or cotton, develop their own character over time.
Uniqlo as a company has always developed new fabrics and is always trying to be innovative. The design is simple, so the fabric is important.
I loved the idea that people dressed up to go to the gardens. Our work always has a utility point of view at its heartbeat and then other things come around it, so it really allowed us to use denims and suedes and gauzes, and those sorts of hard-working fabrics - workwear fabrics - and then contrast them with crepe de chine, beautiful florals and big jewelry.
We dig a well and create a huge pit. The space in the pit or well has not been created by us. We have just removed the earth which was filling the space there. The space was there then and is also there now.
Design is a series of creative choices - it's a collaborative effort, an evolutionary process. You choose your fabrics depending upon what you want to say, then you work with mills to get those fabrics. Through the process, you realize what you want it to be.
The fabrics I've used in my work are satin and sateen. Sateen is very glossy and far from luxurious. Bright solid colors with too much sheen seem gaudy, pathetic and nostalgia-inducing. Such fabrics are reminiscent of the power of chaos in a shaman's space: overabundant offerings of food on alters, kitschy decorations, provocative shades, vigorous dancing, plaintive singing, absurd fits of crying and laughing, and self-abandonment.
I think I set myself on a course to become a scientist around about the time that Carl Sagan's 'Cosmos' series was on television, and there really was no going back for me at that point, and then I went on to study space science and then get my Ph.D., then go aboard and work in the European Space Agency.
We have this interesting problem with black holes. What is a black hole? It is a region of space where you have mass that's confined to zero volume, which means that the density is infinitely large, which means we have no way of describing, really, what a black hole is!
I'm trying to learn to really use space. My philosophy is that every time you interrupt space in a very confident, secure manner, then music happens.
My mom used to sell fabric and lace when I was younger. She would bring back these elaborate fabrics from Nigeria. I always enjoyed being around it. However, it wasn't until I started making music that I started taking a vested interest.
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