A Quote by Mick Barr

I never did anything with the early recordings I made, I felt they weren't worthy. — © Mick Barr
I never did anything with the early recordings I made, I felt they weren't worthy.
In my mind, I always felt like I was worthy. I really felt like, with my career and just the way I did it, it was Hall of Fame-worthy.
The next time the devil tempts you to think that you are not worthy to approach God, here is what I advise: Agree. Say, “You are right. I am not worthy to approach God. I never was worthy to approach God. I never will be worthy to approach God. My access to God’s presence is not based on my worthiness, it is based on what Christ did for me on the cross.
I understood at a very early age that in nature, I felt everything I should feel in church but never did. Walking in the woods, I felt in touch with the universe and with the spirit of the universe.
I learnt from Armstrong on the early recordings that you never sang a song the same way twice.
Throughout college I was getting better and better at making recordings, producing songs, making different kinds of beats. I was starting to learn the signifiers of production from the '60s, the '80s. We never re-recorded anything. All the record companies that wanted to sign us - except for one - were excited about the recordings that we had done ourselves.
Whatever I was doing, even when I was at school, I never repressed anything that I felt. I wasn't flamboyant; I was actually quite reticent most of the time. But if I felt I had to do something, I did it.
I can't speak for other people, but for me, I feel like gone are the days that you need to come out of a closet. I never felt like I was in a closet. I never did. I always felt comfortable with who I am and the decisions I made.
Jacks stood beside her. Instead of saying anything, she felt his fingers trace up her palm and then lace into hers. He had taken her hand before, quickly and for functional reasons—usually to drag her off to someplace she didn’t want to go—but he had never held her hand. Not the way couples did in parks or lovers did in old movies. Maddy stood there and felt the heat of his grip. It made her think of that first night in the diner, when they had talked about pretend memories and she had felt so connected to him.
I love hearing old Bob Marley recordings that he did before he made the versions everybody knows.
I never felt I had anything to hide. I never felt being gay was anything to be ashamed of, so I never felt apologetic. I didn't have issues with it, didn't grow up with any religion, so I didn't have any religious, you know, issues to deal with as far as homosexuality is concerned. So, I accepted it very easily. For me, it wasn't that big a deal.
I would never have expected anything that I did would ever appear in first-rate museums around the world. That was just a choice that I made, very early on. I was interested mainly in the entertainment arts. I wasn't as interested in being a fine artists.
My mom always brought home a present once a week for all of us. We never felt like we ever needed anything. We never felt poor. So I never felt I had to go out and do something wrong to get money.
I've loved Alfred Cortot's playing from an early age, and I never tire of hearing his recordings, particularly Chopin and Schumann from the 1920s and '30s.
I have a background writing screenplays and teleplays. I've tried to write prose and fiction but never really completed anything I thought worthy of publication or worthy of anyone else to even look at.
We never got anything out of the recordings. I'm still as broke as I was when I was with the Mothers.
One of the challenges obviously with doing an accent from a time period early in history is that there aren't recordings. You would never really get the opportunity to hear exactly what you were shooting for.
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