A Quote by Mick Fleetwood

If you were to ask me, 'What the hell does a musician have in common with a restaurant?' I would say a huge amount. It's show time every day, it's a team of people, like, running a circus, which is running a rock-and-roll band.
If you were to ask me, “What the hell does a musician have in common with a restaurant?” I would say a huge amount. It’s showtime every day, it’s a team of people, like, running a circus, which is running a rock-and-roll band.
With how huge Yes was, especially in the '70s and '80s, as a touring band and actually playing at the JFK Stadium in Philadelphia to 130,000 people, which is the biggest-paying show ever in rock history, you would think we'd done enough for the Rock and Roll Hall of Fame.
The people who listened to rock 'n' roll, I thought, were bound together against the people who didn't listen to rock 'n' roll. That, of course, didn't work at all. Your taste in rock 'n' roll does not say anything about you, morally or otherwise.
The beauty of running your own label and your own show is that you are in charge. I get sent a huge amount of musicfrom new and established talent every day, so if I like a track, I play it - no questions asked.
I think the live show is a different kind of catharsis. It's an event. It's supposed to be entertaining. To keep myself entertained, I like to play a rock n' roll show. I still kind of feel like I'm a rock n' roll musician anyway.
No matter what though, there's always rock & roll. There's rock 'n' roll in hip-hop, there's rock & roll in pop music, there's rock 'n' roll in soul, there's rock 'n' roll in country. When you see people dress and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock & roll. Everybody still wants to be a rock star.
The biggest was me running Lionhead at its peak. That was about 305 people. I'd say that was, for me as a creative, one of the most hellish times of my life. Normally running a team is like herding cats. This was like herding the entire African plains.
Running is so natural to me. When I was running track, people used to ask me, 'When are you gonna start running hard?' The wind hits me in the face, and I feel so smooth... Man, I love to run!
Running is so natural to me. When I was running track, people used to ask me, "When are you gonna start running hard?" The wind hits me in the face, and I feel so smooth - Man, I love to run!
There's a hell of a lot of freedom in this rock and roll circus... it's where all the freaks go - it's the environment for me.
Obviously, any living musician born after 1960 has been touched by rock and roll. It's the music of our time, and it's 'in the air,' as Steve Reich would say. My experience of it is just really direct because I'm actually playing in a collaborative band.
Well, on tour I eat terribly, so I balance that by running a lot. And then I started to run with my fans in certain cities. It sounds very nerdy and un-rock n' roll, but I like it. It's fun, and it's better than meeting fans in weird, awkward circumstances. So I take them running with me.
There's rock n' roll in hip-hop, there's rock n' roll in pop music, there's rock n' roll in soul, there's rock n' roll in country. When you see people dress, and their style has an edge to it, that rebellious edge that bubbles up in every genre, that's rock n' roll. Everybody still wants to be a rock star, you know?
For my rock band, I was influenced by things like 'The Rocky Horror Picture Show.' For me, it's live rock n' roll theater.
Look; being in this band, of course it would be great, yeah. But, I mean, I don't live and breathe every minute of every day thinking like, 'Oh, my God. We have to be in the Rock and Roll Hall of Fame.'
For me, my awkward phase corresponded to an interest in rock n' roll. From experience, I'm guessing an insecure childhood is probably quite a common thing among people who start a rock band.
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