A Quote by Mick Foley
I loved George Carlin... I used to sit in front of the TV and watch the HBO comedy specials. I loved those comedy specials.
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HBO was a big thing for stand-up, and when you're a broke kid with absolutely nothing to do on the weekend, there was always video recording your HBO specials. I would just rewind those specials and watch them like they were new again.
I loved George Carlin and Dean Martin. I was one of those kids who had every comedy album.
I was scared to death because for the comics of my generation, HBO specials are like the pinnacle. I'm thinking of all these unbelievable comedians I've seen on HBO: Chris Rock, George Carlin, Damon Wayans, Richard Pryor and Billy Crystal. I started having a panic attack seeing my name in that list of people. It was pretty overwhelming.
My wife and I have long discussions about [George] Carlin, and we refuse to accept that he died an atheist. It's just, confounding. When I talked to Kelly [George Carlin's daughter] about it, she said that George Carlin once took her at about 12 years old and said, "I've figured it out." And he says it in one of his specials sort of - he goes, "We're all energy and we're all connected. That goldfish you have, you, me, that boot laying in the street, we're all pieces of light to a giant electron.
There's a theory with comedy that you shouldn't do anything that's too topical in your specials because people won't be able to watch them in five years. But I look at Trump in the same way I look at Mr. T. I can watch comedy jokes about Mr. T in the '80s and still understand what they're talking about.
I've always taken a lot of cues from comedy minds. The guy that discovered me in the very beginning was Joseph Cates. Joe and Gil Cates were the Cates brothers. Gil produced the Oscars for many years. Joe produced a lot of comedy specials, Steve Martin specials, and he discovered me, this 18-year-old kid.
The earliest stand-up comedy I was aware of was Bill Cosby. I watched Saturday Night Live as soon as I was aware of it, and Monty Python used to be on PBS at weird hours, so I used to try to watch that. And I loved George Carlin on SNL, that was the first stand-up I ever really remember seeing on TV. And then Steve Martin. I guess I was in fifth or sixth grade when Steve Martin showed up, and he was instantly my idol. And Richard Pryor around the same time too, I sort of became aware of him, though I don't remember the first time I saw him.
I always feel like you don't do comedy for the special - you do the specials so you can do comedy. That's like a commercial for people to come out and support the new shows.
My influences are a wide variety: from Dave Chappelle stand-up comedy specials on YouTube, to watching chick-flick comedy movies, to scrolling through stuff people say on the Internet.
I keep doing specials because I think there are a lot of people who make movies and TV who are fans of comedy - if they start to like you, they'll get a project going and call you in.
The Comedy Central CDs combined with the TV specials are what led to my stuff being traded and passed around, and a lot more people knowing my jokes than I thought.
I'm a big fan of PlayStation 4. I like watching movies, TV shows, comedy specials, and listening to comedy albums and music. I'm also a big fan of getting coffee with a friend or catching up on the phone with people I've known for years, people who keep me grounded, who knew me before.
The second disk was taped at our all-night anniversary show. And some of those sets are taped at like 4:30 or 5 in the morning, when people are a little groggy and not doing what they would do if they knew it was being recorded. That said, that disk has an entirely different flavor. It's more experimental. It has more of the newcomers on it. It has people doing stuff that you won't see on Comedy Central or HBO specials.
I see myself touring internationally - everywhere, every theater, every arena - and putting out stand-up comedy specials until I can't even stand no more. Even then, I'll probably do my comedy special in a hospital bed.
I didn't want to perform comedy. I always loved humor. Loved making people laugh. I was a big stand up fan, but it wasn't until I was managing a restaurant that had a comedy night and one of the producers asked me to go on stage that I wanted to do it.
A lot of stand-up specials for cable are meant to glorify the comedian. They put you in a really beautiful theater, and sometimes they even blow a little smoke in there to make it misty and sweet. They make the guy look like he's a big rock star. But comedy's not really glamorous. It doesn't enhance comedy for it to look good.
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