A Quote by Mick Foley

I did like Test, and he was a guy I kept in touch with for years after we stopped working together. — © Mick Foley
I did like Test, and he was a guy I kept in touch with for years after we stopped working together.
I did two records with DJ Mustard. They were stupid, like, crazy hits, so we just kept on working, and we did a whole project together, so we got that coming.
I never stopped grinding. I never stopped hustling. I never stopped working. I just kept moving. It has nothing to do with the money or anything like that. It's just that I love music.
I knew Szpilka from around 2004, after he had stopped being a football hooligan and I was over in Poland for business. We did some filming together for about 10 minutes and hung out afterwards, he is a cool guy.
Govinda and I met after a very long time. We did many films together but I really didn't know that we were so popular as a jodi. We haven't kept in touch per se, but sometimes bumped into each other at a party or two. We don't have common friends, we have no commonalities.
When I was working on The Wire with the other actors, scene after scene after scene, I felt like we were singing together. We were dancing together. I'm like, "This is the best ensemble I've ever worked with. I'm working with these cats? Holy mackerel, this is heaven."
As long as I kept moving, my grief streamed out behind me like a swimmer's long hair in water. I knew the weight was there but it didn't touch me. Only when I stopped did the slick, dark stuff of it come floating around my face, catching my arms and throat till I began to drown. So I just didn't stop.
Mitch Glazer and I went to high school together, and his mother was my English teacher for two years. She was my favorite teacher, and I followed Mitch's career as a journalist, so we've kind of kept in touch over the years.
To my everlasting relief, he’d also stopped with the starch a few years back . The military made him big on spray starch, but I point-blank refused to touch the stuff after a while. He finally gave up doing it himself, and I manfully restrained myself from pointing out that the world didn’t explode when he did. And they say maturity is just for adults.
After I was fired from Disney, I did some of the worst movies ever made and I got professionally involved with a manager who said it didn't matter what you did as long as you kept working. I wound up completely broke.
I have been known for almost 30 years to sort of do whatever comes my way. It's always been touch-and-go after each job finishes. I just like to be working.
Dil Raju's first film 'Dil' was with me and we were supposed to work together after that, but it didn't happen. Now, after 15 years we are working together and Dil Raju's passion for cinema is still intact.
My first album after 'American Idol' I did with Desmond - we paid for it together, and we literally were together working on it every day for a year and half, just writing. We wrote in New York, Nashville, L.A., Sweden - we wrote with some other amazing songwriters like Diane Warren, too.
From Blue Valentine I kept my wedding ring. I actually kept it on for a while. After the shooting had stopped, I was still wearing it – I couldn’t quite take it off – and now I keep it above the kitchen sink where I do dishes, as a little memento.
We kept moving forward, kept pretty particular about certain things. Don Handfield is really great with story, so we kept working on it from that angle and developed a lot of IP over the years, which we became very proud of.
Coy Nature, (which remain'd, though aged grown, A beauteous virgin still, enjoy'd by none, Nor seen unveil'd by anyone), When Harvey's violent passion she did see, Began to tremble and to flee; Took sanctuary, like Daphne, in a tree: There Daphne's Lover stopped, and thought it much The very leaves of her to touch: But Harvey, our Apollo, stopp'd not so; Into the Bark and Root he after her did go!
The plan was just to make great art, and working with Donald Glover, who is such a renaissance man, we've been working together for ten years, and he is always pushing the envelope in a way - like, whenever we work together, I have no idea what it is going to turn out to be.
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