A Quote by Mick Foley

I cannot look back and say I did everything I wanted to do in TNA. — © Mick Foley
I cannot look back and say I did everything I wanted to do in TNA.
Regardless of what happens, when I'm seventy years old, I can look back and say that I did this the way I wanted to, on my terms, and I gave it everything I got.
The only reason TNA hired me was because they had no choice. Dixie Carter wanted Hulk Hogan - that was obvious - but Hulk Hogan didn't trust anybody in TNA. When I say trust, I don't mean to be devious or malicious or anything like that, but he didn't trust their judgment or their ability, nor did he trust Vince Russo in any way, shape, or form.
Right before I came back to TNA, I had made the decision to just sort of step away from wrestling. Therefore I really walked into TNA holding nothing back and let the chips fall where they fell.
To look back and reflect on the career and sort of look at the seasons of it before I got to the WWF, working the territories and Japan and Texas, Puerto Rico, and then the WWF and WCW, then obviously the TNA years - it's been quite a journey, I'll say that.
I stopped for a second. If you remember everything, I wanted to say, and if you are really like me, then before you leave tomorrow, or when you’re just ready to shut the door of the taxi and have already said goodbye to everyone else and there’s not a thing left to say in this life, then, just this once, turn to me, even in jest, or as an afterthought, which would have meant everything to me when we were together, and, as you did back then, look me in the face, hold my gaze, and call me by your name
I struggle with how humankind ended up this way. We made ourselves slaves to money, and we all have to work and be a part of this thing when time is always ticking. And before we know it, a decade has gone by, and did I really get to do everything I wanted to do or say everything I wanted to say?
I do feel that AEW is similar to TNA in the sense of the young locker room and in the same way that TNA back in the day had these guys hadn't had that opportunity on the national spotlight.
Fights with my father were really quite brutal. I would not live his vision. I would not become who he wanted me to be. Everything I did was criticized. I would spend three months drawing something and show him, and he would look up from his paper and just look back down. I got no approval from him for anything I did that was creative.
Of course I wanted to main-event wrestling matches in TNA, but in their eyes, no, that would not happen. So I went back to New Japan.
I feel like the X Division, when it first started out, it was the thing that made TNA different than everything else that was on the scene. It was also the thing that brought a lot of the buzz around TNA in the very beginning.
As a kid, I wasn't allowed to have girl toys, but I would take my cousin's My Little Pony and smell it. That weird, synthetic, fruity-sweet smell - that's how I wanted to look. I wanted to look like this fabricated toy. I wanted to look like you could pull a string on my back, and I would say, like, six catchphrases.
I want to be able to look back and say, 'I've done everything I can, and I was successful.' I don't want to look back and say I should have done this or that. I'd like to change things for the younger generation of swimmers coming along.
To peel the curtain back, I don't know if I could do Curry Man the same way I did it in TNA and not be racially insensitive.
I wanted to go back on 'Dancing With the Stars,' I did it. One of my favorite shows is 'Hawaii Five-0.' I went on, guest starred. I wanted to be in a film, did 'Tasmanian Devils' in Vancouver. Wanted to host a show, boom, did it.
For a shot, I had to look like I've slipped on wet floor and hurt my back. My director wanted me to just act it out, but I insisted on doing it with water on the floor to make it look authentic. He was against the idea, but I did it and almost broke my back.
I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.
This site uses cookies to ensure you get the best experience. More info...
Got it!