A Quote by Mick Foley

You have to believe in yourself. But you know what? There's a fine line between believing in yourself and being delusional. And I'm sure there were a lot of people who thought I was being delusional when they saw me attempting to become a big shot in the world of pro wrestling. Luckily, it worked out: it doesn't work out for that many people.
I know I am delusional at times, but I'm not completely-out-of-touch delusional.
The best thing you can do to set yourself apart is just be yourself. If you're fake, you know people find out who you are later, it's like, 'Well that's not who we thought you were.' Being yourself is where you feel most comfortable and people get, you know, they feel that connection the best. That's the best way to go. You always have to be yourself.
When you're 16 and when you're 17, you're kind of walking that fine line of being an adult and legally being able to look out for yourself, while being able to look out for yourself and being treated as a child.
Confident is believing in yourself. Being humble is, even though you believe in yourself and you know what you're capable of, you still work 10 times harder than your opponent to make sure you get the output you want.
We've got to make sure that teachers are respected, that they are rewarded, that young people like yourself who have talent and want to work with people, that you're able to support yourself and live out a great life being a teacher.
The world doesn't want you to know. They want you to believe. But there is a big difference between believing and knowing. Should you believe in yourself or should you know yourself?
What I find difficult about photo shoots is the line between playing a character - you're being asked by the photographer to take on a role like you would in a movie - and being a fancier version of yourself. It's about finding that line between being spontaneous and open to direction, but also trying to explain to photographers that the "me" is often taken out of context because it has all of this other stuff attached to it.
People go into that arena, and they know the fix is in. They know what pro wrestling or sports entertainment is. That being said, they want it executed to the highest level so that they can suspend their disbelief and buy in, and so, in a world of make believe, you make people believe in you. It's as real as it can be.
I found out in pro wrestling that it works better if you just try and be yourself versus working on something you're not, so I'm me, and maybe it's magnified a bit, but it's easier just being me.
I found out in pro wrestling that it works better if you just try and be yourself versus working on something you're not, so I'm me and maybe it's magnified a bit, but it's easier just being me.
I love what I'm seeing out there with Pro Wrestling Syndicate, Northeast Wrestling, Big Time Wrestling, and WildKat in New Orleans. There is a lot of good stuff out there.
There's a great difference between being positive and being delusional.
I don't know if a pro wrestling career prepares you for Hollywood. When you get out there, and you're in an arena for 20,000 people or 90,000 people, it's a lot different than being on a quiet set with 100 people, so I think you get used to dealing with cameras.
I think some people need the assurance of people around them and ideas worked out in advance. I think it keeps me an edge that to be creative on the spot. You have to think of things to do when you meet people. You limit your choices from the beginning. So I don't bring a lot of lenses, cameras, all these elements that can help the picture to a shooting. You confine yourself to, say, one room and you just make it work. You become very creative in that little space. You have left a lot of other options out of the game.
All I want to say is that when you stop being delusional and start feeling desperate because you're too inept to figure this out on your own, you know who to come to.
If knowing yourself and being yourself were as easy to do as to talk about, there wouldn't be nearly so many people walking around in borrowed postures, spouting secondhand ideas, trying desperately to fit in rather than to stand out.
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