A Quote by Mick Foley
I'd like to see Dolph Ziggler get involved in a really intense, personal feud that will bring out another side of his personality. Because the personality is there, and the wrestling is there, so I'd like someone to come along and bring out his ugly side.
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We're on Twitter with one side of our personality, and Facebook with another, and LinkedIn with another side of our personality, and we're toggling between them. That's just a version of what an impostor does: shifting from one side of their personality to another with lightning speed.
What attracted me to Jimmy Bulger were the various facets of his personality and his humanity because I felt that the only way I could approach playing a character like him was to find his human side first and then map that out to see where it took the turn. He was a very complicated man.
We [Paramore] are very different people at home, but the people that we are on-stage is just a side of us that our crowd and the audience that comes to our shows brings out of us. Different people bring different sides out of each other, and for sure our fans bring out the most hyper and ridiculous side of us because we get so psyched to see everyone when we're on stage.
I like to be as diverse as possible. I think the humorous side and the serious side are both elements of my personality. It's what makes me who I am and if I was to neglect either one of those sides and just focus on one of them, it wouldn't be the full spectrum of my personality.
I really, really, really love my job, so it's not like I'm trying to quit wrestling to do movies. They just all seemed like cool things to do. I mean, I'd love to be the bad guy in an action movie because then people would get to see another side of me they don't get to see.
I think that the photographer must completely control his picture and bring to it all his personality, and in this area most photographs never transcend being just snapshots. When a great photographer does infuse the snapshot with his personality and vision, it can be transformed into something truly moving and beautiful.
From the movie "Everything is Illuminated" based on a book by Jonathan Safran Foer: I have reflected many times upon our rigid search. It has shown me that everything is illuminated in the light of the past. It is always along the side of us, on the inside, looking out. Like you say, inside out. Jonathan, in this way, I will always be along the side of your life. And you will always be along the side of mine.
There is a lot of music out there that you can play side by side and you can't hear the personality - that has a timeline on it, for sure.
It was as if personality itself had a 'face'. This non-physical face of personality seemed to be the real key to personality change. It remained scarred, distorted, 'ugly' or inferior the person himself acted out this role in his behaviour regardless of the changes in physical appearance. If this 'face of personality' could be reconstructed, if old emotional scars could be removed, then the person himself changed, even without facial plastic surgery.
I try and stay positive; being negative isn't good for my personality. I don't just bring myself down, I bring everyone around me down. It's like a dark cloud, 'Uh oh, here we go,' and have to snap out of it.
When I was in N.W.A. and didn't get paid all the money I was owed, that's when the business side of showbiz hit me. I thought, "Half of this is workin'. I'm famous, but now I need to be famous with some money." That got my brain started at trying to figure out the business end. And once I figured out the business side, I next came to understand that success really comes down to the product, not to me, my personality, or what club I'm seen going into or coming out of. None of that matters.
Twenty-eight to 31 is the tough period. You have to be really careful because it's so cataclysmic, so life-altering. People do really dramatic things like get married, or they'll get divorced. Your chances of committing suicide go way up. It's basically psychic death. You see the signs of it around 27, and you're still on the out-end of it around 31. Everyone I've talked to who's gone through that and come out the other side walks out of it like, "MY LIFE IS GREAT".
I'd go back and hang out with Isaac Newton. I'm torn between do I hang out with him or do I bring him into the present to hang out with me. See, that might be terrifying because his head will just explode once he sees everything that was derived from his discoveries, but I'd spend more time with someone who I think is one of the most brilliant minds our species has ever known.
I kind of pride myself on coming onto things that are well-oiled machines and finding a way to bring what I bring and fit in, and raise it to another level if I can. And this [Code Black ] has been another one of those really fun success stories, much like Parks And Recreation, although obviously on the other side of the comedy/drama equation.
Any time someone doesn't like one on the first run, I hope they will give it another shot. At least we'll get another chance. But I do feel, in my approach, I am not really a minimalist. I don't like to leave out ideas that I think could add something to the story. Sometimes, you can't quite pick up on all of it in one sitting. It's not by design. But maybe it's a side effect of my approach.
In 'Ratatouille,' there are two different themes that express the two sides of Remy's personality: the creative side: the chef, and the 'thief' side: his nature as a mouse.
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