A Quote by Mick Foley
In 1999, I had my back against the wall, and WWE had a ghostwriter working on an autobiography for me. He was halfway through, and it was awful, just boring. I took over as a way of trying to fix things, as I thought I could probably do a better job.
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I never have [suffered writer’s block], although I’ve had books that didn’t work out. I had to stop writing them. I just abandoned them. It was depressing, but it wasn’t the end of the world. When it really isn’t working, and you’ve been bashing yourself against the wall, it’s kind of a relief. I mean, sometimes you bash yourself against the wall and you get through it. But sometimes the wall is just a wall. There’s nothing to be done but go somewhere else.
The album 'Physicist,' I erased all the work that I had done halfway through. I think that's probably why that contributed to that album being sort of sub-par for me, just because by the time I had to go back and do it, I was just over it.
What happened to me in the Sixties was so major and so worldwide and so huge, there's no way I can repeat it. But in a way, I had nothing to do with it, it just took me over. It was bizarre, it was weird, and I had no control over it. I don't think anyone could have planned what happened to me.
I had the kid [on "Fences" ] who understudied me so I could stand back and think about shots so he had to learn the blocking and everything. I'd come in early sometimes, and they 'd be in there rehearsing and working on their stuff. I didn't want them to feel like, "Oh these are people who can't be touched." We're all working actors; we're all trying to get better.
There were things that had been weighing heavy on me for quite some time. And I went into this hole, trying to work through some of these things so that I could be a better me and be a better mom to Julez and be a better wife and a better friend and a better sister.
I didn't know the term 'synesthesia' until I was working on 'Cruel Summer.' Halfway into writing that, I really understood that, my entire life, I had been trying to describe this condition of mine: through painting, through this seven-screen Surround Vision film we shot in Qatar, through all these things.
I had a job when I was 15 working at a supermarket, and I knocked over a stack of plastic coffee cups. In my anger, I threw one at a concrete wall, and it rebounded back into my head and cut my head open. Stupidest way to get a scar, but it's one that I have.
I can't imagine being mayor and not having had the experience working for President Clinton or President Obama, or, for that matter, working in Congress. On the other hand, I think I would have been a better adviser had I been mayor first. If I had had this job first, I could have seen the implications of things I was doing.
When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
I think the only reason I've had the career life that I've had is that someone told me some secrets early on about living. You can do the very best you can when you're very, very relaxed, no matter what it is or what your job is, the more relaxed you are the better you are. That's sort of why I got into acting. I realized the more fun I had, the better I did it. And I thought, that's a job I could be proud of. It's changed my life learning that, and it's made me better at what I do.
I had never really given any thought to working for the CIA, but graduation was upon me; I was getting married just a week or two after graduation; I had no job, no prospects for a job. And so I said sure, I'd be interested in working for the CIA.
The world in books seemed so much more alive to me than anything outside. I could see things I'd never seen before. Books and music were my best friends. I had a couple of good friends at school, but never met anyone I could really speak my heart to. We'd just make small talk, play soccer together. When something bothered me, I didn't talk with anyone about it. I thought it over all by myself, came to a conclusion, and took action alone. Not that I really felt lonely. I thought that's just the way things are. Human beings, in the final analysis, have to survive on their own.
I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
I thought that you had to work, work, work and try to be the best musician you could, and that's the only way you could make it. Then it turns out, halfway through the scene, they change the rules on you!
Halfway through the decade, we realized that we had a great team and that we could do great things, and that we could probably have something here that we believed we had a chance to reach greatness.
I had a sense when I took the job that the 1976-77 Trail Blazers could be very good. We had made a lot of positive roster changes, but it wasn't until I had the team in training camp that I realized that this team could be special. Midway through that season, I felt we had a chance to win it all.
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