A Quote by Mick Foley

I can still remember the first time I heard Tori Amos. It was the fall of 1993, and I was in the back of a colossal '79 Lincoln Coupe Mark V, embarking on some otherwise forgettable road trip somewhere in the Deep South.
This reference to the Scots side of her ancestry is the first of two visual explorations into Tori Amos's diverse cultural past. As is the case for many of us, Tori's ancestry is a mix of races and religions, philosophies and professions, fortunes and foibles. What to some may seem like a family tree grown wild and untamed is actually a mighty oak that has weathered life's many storms and can still put out a rare and beautiful blossom like Tori.
I can still remember the first time I heard a Beatles song. It was the fall of 1964, my second year in an American school after my family moved back from overseas, and I was standing on the corner of 64th street and First Avenue with my friend Larry Campbell.
I would love to take a road trip across Italy in an Aston Martin S Coupe.
If somebody says, 'Do you remember the first time you heard a Rolling Stones song?' if you say you do, you're crazy. You've just always heard them. You might remember the first time it impacted you, but the first time you heard one, you were in a cradle.
Lincoln has been my first love, and as always with first loves, it fixed a standard. So I scaled sunlit heights with Lincoln and produced the colossal marble head in the rotunda of the capitol of the United States.
Tori Amos had a major influence on how I craft words in a song. Until I heard 'Little Earthquakes' all my lyrics used really obvious analogies like rain for tears.
We performed 'Road of Resistance' at O2 Academy Brixton in London for the first time in the fall of 2014. I still remember how the British audience sang this song with us although it was a world premiere. In other words, the song 'Road of Resistance' really propelled us to move forward.
The sexual revolution... it was the first time I had read anything that came close to describing those feelings of being outside of my body, feeling the shame, all of it, that I really was able to connect to in that book. So it sort of blew my mind. I was also listening to Tori Amos at the same time, so I was like, "Wait, what's happening?!" It was all a part of that, probably when I was, like, 13.
Tori Amos had a major influence on how I craft words in a song.
Throughout the entire time I was filming 'Thirteen,' I'd just lock myself in my room and listen to Garbage's first album. It was Shirley Manson, Nirvana and Radiohead who got me through everything. Also, Alanis Morissette and Tori Amos. They were so beautiful and strange, and they gave women permission to be angry and emotional, but also strong.
I remember, in 1993, sitting in the back watching him; I'd never met him. He hit a triple moonsault. I jumped out of my seat. As a fan, I've always been a huge mark for Sabu.
I wasn't Britney Spears or Jessica Simpson. I wasn't Tori Amos or Norah Jones. Nobody knew what to do with me.
Whenever I have a little time off, I try to go back to my farm in South Africa. I'll spend time with my family and hunt antelope, kudu and springbok. During a 2010 hunting trip, I tore some ligaments in my ankle when I stepped in a hole.
I suppose I've been interested in Abraham Lincoln for almost as long as I can remember. My first Lincoln book was the Classics Illustrated comic book version of the life of Lincoln, and with that, I was hooked.
In life some people trip and some fall but some take that trip and make a beautiful dance out of it.
The first time I heard Ron Whitehead read I felt what I imagine those who heard Abraham Lincoln deliver The Gettysburg Address felt.
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