A Quote by Mick Foley

I leave my editor to put the periods and commas in. — © Mick Foley
I leave my editor to put the periods and commas in.

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Life is a series of commas, not periods.
What makes a good editor is staying the hell out of the way as much as possible. ... If you're a DC or Marvel or Dark Horse or BOOM! editor who's assigning work, then if you did your job properly to begin with, then the people you've hired can be trusted to do what they do without excessive meddling. The ideal situation you're shooting for as an editor is to groom a collaborative creative team to the point where their work sails effortlessly through production and the most you have to do is fix the spelling and the commas.
It's the periods and the commas that you have to forget about. The words never change, but the intonations change.
Which editor? I can't think of one editor I worked with as an editor. The various companies did have editors but we always acted as our own editor, so the question has no answer.
I don't have an editor on Twitter. I have an editor in the paper, and so I tend to be less precise in 140 characters and sometimes I leave people confused as to my meaning. And then I make the mistake of engaging and trying to explain it, which just leads you down a rabbit hole.
I have to tell you, I'm a happy man. I've lived the life I wanted to live. I've written the books I wanted to write. No publisher has ever even suggested that I change so much as a phrase - commas and periods, yes - and I suspect that I have a lot of serious readers; in fact, I know.
One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.
The commas are the most useful and usable of all the stops. It is highly important to put them in place as you go along. If you try to come back after doing a paragraph and stick them in the various spots that tempt you you will discover that they tend to swarm like minnows into sorts of crevices whose existence you hadn't realized and before you know it the whole long sentence becomes immobilized and lashed up squirming in commas. Better to use them sparingly, and with affection, precisely when the need for each one arises, nicely, by itself.
Now, you lose something in your life, or you come into a conflict, and there's gonna come a time that you're gonna know: There was a reason for that. And at the end of your life, all the things you thought were periods, they turn out to be commas. There was never a full stop in any of it.
All that a Pulitzer really does is give the obit writers something to put between the commas after your name.
Like Picasso, I go through blue periods, green periods, or grey periods.
I had long periods where I couldn't make things happen, and then periods of enormous good luck. I guess the trick is to keep going in the periods when you're not lucky, when your stars are not aligned.
There are similarities between being an editor and a tailor. Tailors have a vast supply of fabrics, buttons and thread at their disposal and put it together to make a whole. That's what an editor does - looks at society at a given time and pulls together the interesting aspects into a single issue each month.
The History of the world is not the theatre of happiness. Periods of happiness are blank pages in it, for they are periods of harmony--periods when the antithesis is in abeyance.
Eisenstein was a good editor. I was trained as a film editor, and I've no doubt that the editor is key to a film.
But for me, being an editor I've been an editor of all kinds of books being an editor of poetry has been the way in which I could give a crucial part of my time to what I love most.
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