A Quote by Mick Jagger
I don't really mind criticism in music or in shows and stuff like that at all. I mean, it doesn't really worry me even if it's like out of place. At least it's relevant.
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I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
I do like people who are popular across the years and stuff like that, but I'm not a big pop music fan. I don't listen to the radio unless it's KCRW, like Booka Shade. Yeah, like weird music is what I'm really into right now. But I like anything really. There's just so much. I buy new music almost every day, so there's so much coming in that I don't even have time to listen to something more that twice.
To me, there's a huge difference between criticism and reviewing. I really love reading good criticism of television and film. To me, a critic is someone who analyzes a show, describes it, talks about the people in it, puts it in historical context of other shows like it, compares it and stuff, and then talks about the intent of the show and whether it failed or didn't.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
It's really hard for me to sometimes put myself out there, like 'Hey, how do you feel about making music together?' because maybe I'm afraid of rejection or I don't want to put anybody out. It's the Southerner in me, like, 'I don't mean to bother you but do you mind making a song?'
Stand-up is a real art form in itself and one that I really think to be good at you have to devote your entire life to. It's the really, really good ones that end up getting to do the things that I like to do: movies, TV shows, and stuff like that. It's a really hard gig and it just never called to me.
Being like stranded without a label in the middle of tour was very strange. On the other hand it made us move instantly. I mean, I didn't wallow. I was like, "Alright, who can we email? Let's just start putting stuff out." I felt like we were playing really well and it was at least worth a shot.
We’re really lucky to live in a planet that has so much music. We could be living in some bland planet that had no music, no movies, no books, just a bunch of people going around having jobs and things like that. To me that would be a really miserable place, you know, to me music is what makes this world a really fun place to be, you know?
When we were doing noisier shows, they were fun, but we were trying to be really obnoxious and it wasn't like we were trying to make good music. I mean, I'm happier when we have smoothed out a little bit. I think that the spirit of the noise and experimental stuff is still there, but it's easier to do when you're a freshman in college.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
I appreciate good criticism and I think it's really important. I don't like it when it's consumer advocacy, like how you should spend your $60. Great criticism is a kind of literature. I've written some criticism, and I really enjoy it because I think it's important for people to know that theatre is vital. Criticism is really unevenly distributed in this town. Obviously the power of the Times is discouraging. It's killing new plays, demolishing one after another.
We don't really worry about... what the audience might think. When we make a piece of music we don't worry whether they will like it or not; we are really trying to create the music that we want to listen to as individuals. We think it's the healthiest way.
Even to be flown out to New York was mind boggling for me, and signing with Columbia was great because they really understood my vision. Of all the labels that I met, they were the ones that really seemed to understand that I was really about the music, the writing, and the lyrics, so it was really fulfilling to sign with them.
I don't really like being emotional. Public displays of emotion, I don't really do that sort of stuff. I don't know why. I would like to be the type that doesn't worry about that.
There are these creative shows, all on cable, that are just so daring and out there. That's the stuff I really want to be a part of, like with 'Sucker Punch' and 'Hangover 2.' Those movies didn't hold back. They really went for it.
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