A Quote by Mick Jagger

I don't believe in original melodies. There are only so many computations of eight notes. — © Mick Jagger
I don't believe in original melodies. There are only so many computations of eight notes.
There are only so many notes so there must be only so many melodies.
I mean, there are only so many notes. What makes something original is how you put it together.
When I was younger, I had conversations with friends about wanting to create something different. Every young musician probably thinks that. But it's difficult to do, because there are only so many words, notes, melodies, songs. But as soon as I stopped thinking and started feeling, it worked. I didn't realize it till I was done.
It is not hard to compose but it is wonderfully hard to let the superfluous notes fall under the table. . . So many melodies fly about, one must be careful not to tread on them.
I have tried to avoid long numerical computations, thereby following Riemann's postulate that proofs should be given through ideas and not voluminous computations.
I went through eight years of classical piano lessons without being able to read notes. I only have to hear a melody to be able to play it. It used to freak my piano teacher out when he finally noticed that notes don't make any sense to me and that I played by ear.
The way 'Lux' was made is that there are 12 sections in here, though two of them are joined together. So there are really 11 sections, in a sense, and each one uses five notes out of a palette of seven notes, and my palette is all the white notes on the piano. That was the original palette.
There are seven notes - Sa Re Ga Ma Pa Dha Ni no one is original in the world. We have to play around the notes and make our own stuff.
When I listen to my favorite songwriters, they have such simple melodies and chords. I occasionally manage to stop at the right time, but all too often I keep on going until I have way too many notes and words. But that's just what I do.
Cooking is like painting or writing a song. Just as there are only so many notes or colors, there are only so many flavors - it's how you combine them that sets you apart.
I use my phone to record notes or hum melodies. That's how I remember them.
The only reason I would write a sequel is if I were struck by an idea that I felt to be equal to the original. Too many sequels diminish the original.
The whole gamut of good and evil is in every human being, certain notes, from stronger original quality or most frequent use, appearing to form the whole character; but they are only the tones most often heard. The whole scale is in every soul, and the notes most seldom heard will on rare occasions make themselves audible.
Some people like very predictable melodies, and others prefer the less likely notes.
I don't want to write melodies anymore. I can only write really simple, dumb caveman melodies.
When I was eight, my piano teacher played seven or eight notes, and I sang them. She stopped and looked at me in shock! That was the first time I'd gotten that reaction. I'd had looks of horror, but never shock in a positive way.
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