A Quote by Mick Jagger

I don't believe in having bands for solo records. — © Mick Jagger
I don't believe in having bands for solo records.
The only reason why I made solo records was because I got so obsessed with politics, and that is quite personal. I don't really philosophically believe in solo records.
I definitely prefer to be in a band. There's too many solo people, and bands are suffering. There's too many great bands that have split up because somebody's got an ego, and then he goes solo.
I'm solo, and I love being solo. I believe I went through the Roses so I could become a solo music-maker. That's what I believe.
The music industry is not what it used to be. Being in a good band is great, and I've been lucky to be in great bands. I've done solo stuff, and that's been great. I also produce rock bands and I do co-writes, where I write with different singers in bands and songwriters.
Now I'm fortunate to have a good band in CA, and play many solo gigs as well. My point is that I stopped playing in bands and played solo for four years, to get back into the groove and pulse of writing and singing and who I am on stage.
I have to have the reasons to make the record. There are just too many records out there, especially when it's something as audacious as a solo percussion record with solo drumming music on it. There better be a reason behind it.
There are a lot of musicians who are still desperately trying to pretend that it's 1998 and by having a huge marketing campaign, they somehow believe that they can sell 10 million records. That's delusional. No one sells 10 million records. The days of musicians getting rich off of selling records are done.
The biggest challenge was the whole learning curve of being solo artist. I've been in bands for so long that being a solo artist was completely new thing.
Bands like - even Kiss to a degree - bands like Kiss and Motley, Ratt, Poison, Bon Jovi - I just think the days of those bands going out and selling ten or twelve, fifteen million records like they used to do back in the day, it's not happening.
I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
The music industry is a strange combination of having real and intangible assets: pop bands are brand names in themselves, and at a given stage in their careers their name alone can practically gaurantee hit records.
I've always been a fan of the band setting. I've always been a believer in bands, and I've always been in bands. That's where my comfort zone is. So to stand outside of that, that was never my intention or goal. I never had the dream of, 'I'm gonna go into all these bands as a spring board for my solo work.' But life takes you on different journeys sometimes. I ended up playing a bunch of songs and some of them I really liked.
Brass bands are part of my upbringing. Brass band records were among the first records I listened to.
The best bands kept making records and had this evolution, where by the end, by their commercial phase or sellout phase, the records are from outer space.
I don't know how these bands did it back in the '70s when they would crank out two records a year and tour at the same time, which is incredible to me. I have so much respect for all those bands working so hard like that.
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