A Quote by Mick Jagger

My secrets must be poetic to be believable. — © Mick Jagger
My secrets must be poetic to be believable.
American traditions and the American ethic require us to be truthful, but the most important reason is that truth is the best propaganda and lies are the worst. To be persuasive we must be believable; to be believable we must be credible; to be credible we must be truthful. It is as simple as that.
All the senses awaken and fall into harmony in poetic reverie. Poetic reverie listens to this polyphony of the senses, and the poetic consciousness must record it.
I think that's true of real life - we don't ever know anyone completely. Secrets are very important to creating a narrative work that's believable. The characters come into that world with secrets, as happens to all of us. As honest as we try to be in our relationships, we can never completely know someone. From a narrative perspective it's very important and pleasing - you want to have those secrets there. The secret is an essential part of the creation of the novel.
To be persuasive we must be believable; to be believable we must be credible; credible we must be truthful.
I don't sleep. All night long I'm wide awake, thinking, Secrets, secrets, secrets. There are secrets in my past no one needs to know. Secrets in my present that might kill Kim and Chip. I don't want to take my secrets with me when I go. When I pass through the light, i want to be free of everything and everyone.
Metaphysics abstracts the mind from the senses, and the poetic faculty must submerge the whole mind in the senses. Metaphysics soars up to universals, and the poetic faculty must plunge deep into particulars.
When I play a gay character, I want to be as believable as possible. And when I'm playing a straight character, I also want to be as believable as possible. So the less that people know about my personal life, the more believable I can be as a character.
The clan of heroes, the clan of compassion,the clan of destiny." (Firestar on Thunderclan, secrets of the clans) No matter what trials we must endure, Windclan will last forever."(Tallstar on Windclan, secrets of the clans) We are grace. We are power. We are Riverclan."(Leopardstar on Riverclan, secrets of the clans) Shadowclan will always be the dark heart of the forest." Blackstar on Shadowclan, secrets of the clans)
The headline is the most important element of an ad. It must offer a promise to the reader of a believable benefit. And it must be phrased in a way to give it memory value.
I try for a poetic language that says, This is who we are, where we have been, where we are. This is where we must go. And this is what we must do.
It is unwise to equate scientific activity with what we call reason, poetic activity with what we call imagination. Without the imaginative leap from facts to generalisation, no theoretic discovery in science is made. The poet, on the other hand, must not imagine but reason--that is to say, he must exercise a great deal of consciously directed thought in the selection and rejection of his data: there is a technical logic, a poetic reasoning in his choice of the words, rhythms and images by which a poem's coherence is achieved.
In a political sense, there is one problem that currently underlies all of the others. That problem is making Government sufficiently responsive to the people. If we don't make government responsive to the people, we don't make it believable. And we must make government believable if we are to have a functioning democracy.
Among its many other obligations, fiction always has to be believable. Life does not have to suffer such constraint, and much of what takes place is believable only because it happens.
There can be...no power...to disclose...the secrets that may be buried with a human heart. The heart, making itself guilty of such secrets, must perforce hold them until the day when all hidden things be revealed.
Some secrets are meant to be taken to the grave, and that's what I plan on doing with all mine. They're not necessarily my secrets to tell. I'm the gatekeeper of other people's secrets.
I don't reflect on sort of the age of the roles that I get. It's usually just what plays into what's believable - 'Am I believable at this age?'
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