A Quote by Mick Mars

When I drank, I had a very different attitude towards my playing. It was sloppier but I kind of liked it that way. It was like the alcohol was telling my mind what to do.
I drank to be funny, or sexy. I drank because I was afraid or happy or sad, and I drank for anything that required emotional commitment. ... I had chosen a profession that thrives on insecurity, and is never far from some source of social intercourse that involves alcohol or drugs.
I never really had stage nerves but I did have had trouble getting up to the right energy level. For a long time I drank. I drank up until 1982 and then I gave up alcohol.
When I became an adult, I had absolutely nothing against drinking alcohol. Many of my friends drank. I would often make wine and offer it, but I never sat down and drank it myself. That affect my religious practice.
"I think I know the real reason." "Which is?" "Alcohol in the dust clouds. Goddamn stuff is everywhere. Any lousy species ever invents the telescope and the spectroscope and starts looking in between the stars, what do they find?" He knocked the glass on the table. "Loads of stuff, but much of it alcohol." He drank from the glass. "Humanoids are the galaxy's way of trying to get rid of all that alcohol."
Stuart was a very special person and he was miles ahead of everybody. You know as far as intelligent and artistic feelings are concerned, he was miles ahead. So I learned a lot from him and because in the '60s we had a very strange attitude towards being young, towards sex, towards everything.
The truth is that it is our attitude towards children that is right, and our attitude towards grown-up people that is wrong. Our attitude towards our equals in age consists in a servile solemnity, overlying a considerable degree of indifference or disdain. Our attitude towards children consists in a condescending indulgence, overlying an unfathomable respect.
Working on "Pieces of April" with Peter Hedges at a young age was really very powerful. It was a different kind of work. We shot that in 10 days and Peter was right there with us, right next to the camera. It was very grounded and I really liked working that way. I liked the way he directed us.
I like it best when two ideas collide, like when you have a crazed attitude towards women combined with a crazed attitude towards the Vietnamese. I like that. Even if it's not true, I don't care whether it's true or false. I just do it.
Some of the morays have held on. When I was in school, I remember asking the question, "Why is it that whenever I walk into a fraternity there's alcohol everywhere and there's no alcohol in a sorority? Why is it that sororities won't allow alcohol, but fraternities do? What is that?" You know, nobody had a really good answer, and that's kind of held on. It's one of the issues that's being examined now - the role of alcohol in sexual assault.
I'm not a guy who did drugs or drank alcohol. I had a good work ethic and gave back to the community.
The future belongs to a very different kind of person with a very different kind of mind - creators and empathizers, pattern recognizers and meaning makers.
What I like to do as an actor is transform. It's way more fun to play characters who are completely different than me. I like playing characters who appear one way on the outside but are actually very different from that.
I think that when we know that we actually do live in uncertainty, then we ought to admit it; it is of great value to realize that we do not know the answers to different questions. This attitude of mind - this attitude of uncertainty - is vital to the scientist, and it is this attitude of mind which the student must first acquire.
I've never wanted anybody to like me because I had long hair or short hair, or that they liked the way I dressed or they liked the way I dressed or they liked the way I smile.
I had a very short time on that film [The Possibilities Are Endless] and it was quite strange because the process was kind of like a documentary, which was different for me. The way everything was filmed was very casual.
I nodded. I liked Augustus Waters. I really, really, really liked him. I liked the way his story ended with someone else. I liked his voice. I liked that he took existentially fraught free throws. I liked that he was a tenured professor in the Department of Slightly Crooked Smiles with a dual appointment in the Department of Having a Voice That Made My Skin Feel More Like Skin. And I liked that he had two names. I’ve always liked people with two names, because you get to make up your mind what you call them: Gus or Augustus? Me, I was always just Hazel, univalent Hazel.
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