A Quote by Mick Ralphs

That's me. I can be me a bit at home, but I'm kind of like a square peg in a round hole. — © Mick Ralphs
That's me. I can be me a bit at home, but I'm kind of like a square peg in a round hole.
You had better be a round peg in a square hole than a square peg in a square hole. The latter is in for life, while the first is only an indeterminate sentence.
He’s not your typical prince, more like a square peg in a round hole, kind of like me. He’s the sort of guy who wouldn’t mind reading side by side on a date.
This whole business feels kind of intense, like a bad fit. Round peg, square hole. But whatever, I'll take it.
Certain social situations make me feel like a square peg in a round hole. Realising you can connect to the human race through song makes me feel less alien.
In the past I've always been the type of person to try and fit a square peg in a round hole. I can be very tenacious like that. But since I've had my daughter, I've found that I like the way life unfolds when I give the universe some space to guide me. It took me until my forties to realize that.
But then I have always been somewhat of a square peg in a round hole.
It's just a moment that doesn't feel 100-percent truthful, a kind of a square peg/round hole situation. Which is why the preproduction on a movie is so important, because you can't just push those through.
A journalist asked this to my father. He spent a day with me and interviewing my friends/colleagues and didn't understand how I could be the one that created 4chan and, as he put it, 'couldn't understand how to fit the square peg into a round hole.' The best way I have of describing it is, 'I didn't define it, and it doesn't define me.'
I was always an odd girl; I managed to alienate a lot of people. I felt like a square peg in a round hole in the music industry and created a lot of neurosis for myself.
You know, it was a small, independent movie and with Paramount becoming involved, it was obviously a good thing, but you can't put a round peg in a square hole.
Ideally, writers and narrative designers should be included much earlier in the process, where they can be of most benefit. However, although the industry is slowly getting used to fitting narrative professionals into games development, we're still going through a bit of a 'square-peg in a round hole' phase.
You think you're in control, and you're trying to get that square peg in that round hole. You're frustrated, and you realize that you're not in control of everything. You need to just step back and let God.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
If you're meant to do something like writing and you end up going into banking or finance, your going to be miserable. You're trying to fit something into a square peg and a round hole. It's just never going to work.
As newly created P2P businesses disrupt the status quo and compete with established companies, they face the difficulty of fitting a square peg into a round hole when it comes to existing regulatory regimes that don't contemplate their business models.
At 'Vogue,' I was responsible for a lot of production work, and production work is highly detailed, and you have to be very resourceful to fit a square peg into a round hole. I learned to push the envelope when it comes to asking questions or making requests.
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