A Quote by Mick Taylor

It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have. — © Mick Taylor
It's nice to finally have a CD out which reflects my songwriting, my singing and the band that I have.
My strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.
But my strength was in singing and songwriting, which was a new discovery for me when I was 18. And I decided if I pursued songwriting, which is what was closest to my heart, then there would be no competition. I would just live my life being myself and living my dream.
I didn't even know the industry of songwriting existed. I thought everybody sang songs and they were only singing the songs that they wrote. So after I found out about songwriting in college, I was like, "Okay, I want to do that."
I grew up singing in Kansas. My dad had a band when I was growing up. So I sang in church and school and started singing with his band when I was seven. So I've been singing all my life.
A lot of my friends loved Pearl Jam, so whenever I'd hang out with them, that was usually what CD - not album - back then, it was what CD, maybe even tape, but what CD was playing.
Someone should have a record that doesn't have any singing. It's my favorite Miles Davis record. I love hanging out in the summer, in New York, when it's miserably hot. I love electric Miles Davis in the summer. Jack Johnson, the songwriting especially, is a premier example of that. It always makes me feel hot in the city. It's also nice to have something not yelling in your ear. For me, as a lyricist, it's nice to put on something without any words.
I started singing very early. I was six or seven years old, and I was singing along to TV commercials and figuring out, 'Oh, hey, I can sing in tune. This is really cool.' But the songwriting thing came much much later, when I was 19 years old.
I finally got to junior high and I got to start saxophone. There were a few of us that were in the beginner band in sixth grade that made it to the advanced band, which was called the morning band at our junior high school in Staten Island.
My first CD started as a studio project and I record everything with one other guy, so I didn't have a band. That's kind of how I like to do it, though. I like to create it with one other person, this guy, Tommy English, who produces everything. And then I go out on the road with a band who interprets it live.
I did The Frank Skinner Show, and they gave me a little jukebox-shaped CD player, which looks nice in the kitchen.
I did 'The Frank Skinner Show,' and they gave me a little jukebox-shaped CD player, which looks nice in the kitchen.
A lot of people that buy vinyl today don’t realise that they’re listening to CD masters on vinyl and that’s because the record companies have figured out that people want vinyl, And they're only making CD masters in digital, so all the new products that come out on vinyl are actually CDs on vinyl, which is really nothing but a fashion statement.
The first band I was in out of college was a Celtic band, and I had to learn to sing with a microphone, because I'd never done that before. At Oberlin, I never used a mic for any kind of singing.
The rest of the band were basically friends, So it was me following them around and begging them to let me be in their band for two or three years. And they finally let me in on the harmonica, actually, and then the keyboards, and finally the guitar.
Songwriting was definitely first. I started singing, and then I was rapping; then I went back to singing. As I was growing up, I just taught myself piano and guitar.
Listening closely to songs these days, there's a lot of lazy songwriting where people get away with it. I don't want to be too critical about it. But I also feel like I wanted to say something a bit different from just being a musician and singing about yourself. Ultimately, that's not really interesting to me. Even when I was a kid, I was interested in observing people and maybe making my own stories. That kind of reflects in my music.
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