A Quote by Mickalene Thomas

I started making art with art therapy. It's what I know how to do. I got a lot of criticism for that when I was in school. But I think it works for me. — © Mickalene Thomas
I started making art with art therapy. It's what I know how to do. I got a lot of criticism for that when I was in school. But I think it works for me.
Well, I never studied design and I went to art school to study art, you know, sculpture and things like that, and ended up making things like sculpture and started making chairs and jewelry together and that's how I started.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
I went to art school for fine art and then I started doing performance art, and then I started making fun of performance art, and it turned into comedy.
To the question, ‘Is the cinema an art?’ my answer is, ‘what does it matter?’... You can make films or you can cultivate a garden. Both have as much claim to being called an art as a poem by Verlaine or a painting by Delacroix… Art is ‘making.’ The art of poetry is the art of making poetry. The art of love is the art of making love... My father never talked to me about art. He could not bear the word.
When I was just getting started making my own music, my dad said, "You should think about art, but also anti-art and non-art."
I think that a lot of artists have succeeded in making what I might call "curator's art." Everybody's being accepted, and I always want to say, "Really? That's what you've come for? To make art that looks a lot like somebody else's art?" If I am thinking of somebody else's art in front of your art, that's a problem.
In magic we have a variety of "uses" for our art beyond magic itself, which reminds me of the notion of art therapy. The rendering of art inferior to therapy is an interesting one: interesting in the sense that it makes me want to vomit angrily.
I don't have a very high opinion, actually, of the world of criticism - or the practice of criticism. I think I admire art criticism, criticism of painting and sculpture, far more than I do that of say films and books, literary or film criticism. But I don't much like the practice. I think there are an awful lot of bad people in it.
When I started to take literature and poetry classes, I just started to get inspired by these new incredible works of art that I had never seen or heard of before. I wrote a lot of bad high-school poetry, just like pretty much everyone did, I think, at some point. For me, the inspiration never really stopped.
Focusing-Oriented Art Therapy is a major contribution to art therapy literature and practice. Laury Rappaport introduces a contemplative method and philosophy grounded in the body's felt-sense of experience and its innate and largely unrecognized wisdom. This intellectually provocative, yet thoroughly practical text, establishes Rappaport as an emergent leader in the art therapy world and author of a book that every student and art therapist must read in order to appreciate the depth and breadth of our discipline.
When I was at art school, a lot of art education is about art being a means of self-expression, and as an 18-year-old I didn't know if I had a huge amount I wanted to express. It was a big moment when I decided I wanted to shift the emphasis or the intention of my art from something I disgorged myself upon and something that actually fed me or made me see the world or understand the world.
I think what's happened in art criticism, or art thinking, in last 30 or 40 years is a confusion between the "what" - the subject - and the "how." Most attention goes to the "what," but it's the "how" that's the important part - how something is brought into being.
I'd rather do anything than make commercial art. I didn't go to school for art. Making art has certain advantages for me but they would never be in commercial direction.
After finishing art school I was applying to stores like Home Depot and Walmart. You know, places where you have to take a urine test before you get your minimum wage. Even those places wouldn't hire me. So I was lucky when I got included in a group show at the Richard Heller gallery that kind of started my art career.
I went to college for, like, a year and a half with the intention of doing some kind of art therapy or some kind of teaching of art, because I feel like art is a more free area in school than music is. I feel like music is too mathematic for me. Music school's so hard. It's math.
I think that the first part of the art is making the art, but when art really becomes art is when it belongs to somebody else.
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