A Quote by Mickey Arthur
When I took charge of Pakistan, I stopped and had a look from the outside before making any judgement calls. I got used to the culture because I think that is so important. For you to move a team forward as a coach, you have to understand the culture.
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We should never denigrate any other culture but rather help people to understand the relationship between their own culture and the dominant culture. When you understand another culture or language, it does not mean that you have to lose your own culture.
What gay culture is before it is anything else, before it is a culture of desire or a culture of subversion or a culture of pain, is a culture of friendship.
I had the French culture at school and I love this culture but I also had another culture at home - that of Senegal. I think this way of growing up has made me the person I am today - because I had the two cultures.
I think Pakistan was always a destination where it was hard to come and win. I was the coach of the South African team which came here in 2007. We won the Test and one-day series and that was a massive win and achievement because not many sides had come and won in Pakistan.
I think our culture is moving forward - slowly. And also, as we move forward, we're witnessing some of the old stalwarts rejecting that forward motion.
I understand that and I have had very candid discussions with Saudi leaders in the past. I respect their culture and their heritage and their traditions, but I think that they now, as they move forward, will have to start examining these traditions and these practices to see whether or not change is appropriate.
This is more in regards to celebrities. What we've got to understand is that we are the influencers of the hip-hop culture, the black culture. We are the way out, you feel what I'm sayin'? As far as who we look to and where we get stuff from - hip-hop culture is influencing the world, really, but especially the black communities.
Many teachers of the Sixties generation said "We will steal your children", and they did. A significant part of America has converted to the ideas of the 1960s - hedonism, self-indulgence and consumerism. For half of all Americans today, the Woodstock culture of the Sixties is the culture they grew up with - their traditional culture. For them, Judeo-Christian culture is outside the mainstream now. The counter-culture has become the dominant culture, and the former culture a dissident culture - something that is far out, and 'extreme'.
It may very well be that people in San Francisco don't think we have any culture in Nebraska, but we have a different culture, and it's a very deep culture. We have these Czech immigrants, who are making this marvelous ethnic food and their Catholic lives and it's very fascinating stuff.
I believe only in French culture and consider everything in Europe that calls itself 'culture' a misunderstanding, not to speak of German culture.
Since the 1960s, mainstream media has searched out and co-opted the most authentic things it could find in youth culture, whether that was psychedelic culture, anti-war culture, blue jeans culture. Eventually heavy metal culture, rap culture, electronica - they'll look for it and then market it back to kids at the mall.
When I think about the real pioneers of the psychedelic movement in a musical sense, not just the culture, everything had a handmade sort of vibe to it. We're inventing our culture as we move along into this.
I think with world building, it's important to create a sense of culture even if it is just a fantasy, and the best way to do that is to look at a real human culture and see what makes it cohesive.
If you move here from somewhere else, I often think if I move to Germany, for example, or if I move China and I go worship there I will understand and I'll be willing to give up a lot of my culture because I'm in somebody else's homeland. So I'm going to have to act German or Chinese, whatever that might mean.
The Holocaust committed by the Nazis turned this country, where most of the European Jews used to live and where their culture used to flourish, into a massive grave. This is why initiatives to revive Jewish culture in Poland is so important.
We both [with Jo Andres] think that it is really important to our culture that we support all kinds of music, all kinds of theatre and all kinds of art because you never know what moves people. We've always believed that there should be a strong voice outside the commercial world. Certainly, the commercial world has a huge place in our culture and we also support that - but, we also want to support the stuff that lives outside of that.
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