A Quote by Mickey Drexler

I spot detail quickly. — © Mickey Drexler
I spot detail quickly.
Our visual cortexes are wired to quickly recognize faces and then quickly subtract massive amounts of detail from them, zeroing in on their essential message: Is this person happy? Angry? Fearful? Individual faces may vary greatly, but a smirk on one is a lot like a smirk on another. Smirks are conceptual, not pictorial. Our brains are like cartoonists - and cartoonists are like our brains, simplifying and exaggerating, subordinating facial detail to abstract comic concepts.
Sometimes it gets a little too bubblegum for me, but what I do love about KPop videos is their attention to detail, and their choreography and dancing are always spot-on.
A knowledge of and the ability to properly and quickly execute the fundamentals. Be prepared and cover every little detail.
The detail of my art depends entirely on the project itself. I tend to be a little more detail-oriented with covers than I am with interior pages, and I try to reduce the detail on action sequences as opposed to suspense passages.
The real excitement is collaborating with computer scientists and neuroscientists and starting to understand in detail how children learn so much so quickly.
When I started out in business, I spent a great deal of time researching every detail that might be pertinent to the deal I was interested in making. I still do the same today. People often comment on how quickly I operate, but the reason I can move quickly is that I've done the background work first, which no one usually sees. I prepare myself thoroughly, and then when it is time to move ahead, I am ready to sprint.
I so admire great writing done quickly, with great detail.
My father had lost his eyesight, so if we placed something somewhere, it had to be in the right spot, exactly, or something could go wrong. That's the attention to detail I demand at the workplace.
The dot stands for 'detail' - always be paying attention to detail. I feel that people take you as serious as you take yourself. I spent a lot of time working on my craft, developing my style, and after I came out of my little incubation, I promised that I would pay attention to detail.
Things move so quickly on set. When you're about to do another take and you have a minute to figure out what you're doing, you just kind of determine how you're going to do it on the spot.
Damn it's a shame you're the mighty queen of vials, With a wide-eyed look and a rotten-toothed smile. Used to walk with a swagger, now you simply stagger From one spot on, to the next spot on, to the next spot on, to the next.
My weak spot is that I don't like analyzing so I tend to be a bit lazy; I tend to get bored quickly, which means I must be boring.
I really admire artists who take the time to recharge their batteries and not continually call on it. I think you can spot tired and jaded artists quite quickly.
The spectacular catches are the ones that you remember detail for detail. The ones with two hands, it's kind of routine.
The devil's in the detail and sometimes if you're thinking too big, you can miss the detail.
I look for ambiguous messages to illustrate...I like some detail but not too much detail.
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