A Quote by Mickey Drexler

I like someone who's focused and can tell me what they've done well and not well and who's very open, honest, and self-aware. — © Mickey Drexler
I like someone who's focused and can tell me what they've done well and not well and who's very open, honest, and self-aware.
I'm funny with food, even if it's vegan. I like it well well, well, well done. I don't want anything there that reminds me of blood. I get mine extra well done. That way, when I look at it, I'm like, 'Okay, cool.'
When people ask me what my dream role would be, I tell them that it's to play someone very dark. Very dark - like someone involved in the drug world or some other criminal venture. Maybe someone who's delusional or not all there or just not well. I really hope I can do that one day.
When someone writes to tell me something I've written made them laugh or cry, I've done my job and done it well. The rest is all semantics.
Well, I'll tell you, I don't know how aware teenagers are of me. I think it really depends on the teenager and how well-versed in music they are and what kind of music they like.
I wish I could write well enough to write about aircraft. Faulkner did it very well in Pylon but you cannot do something someone else has done though you might have done it if they hadn't.
You need to tell people where they stand. If someone's done a good job, you should tell them they've done damn well. But if they haven't, you should take the same attitude.
Someone who thinks well of himself is said to have a healthy self-concept and is envied. Someone who thinks well of his country is called a patriot and is applauded. But someone who thinks well of his species is regarded as hopelessly naïve and is dismissed.
My parents are really honest when they watch something. My nan is brutally honest. She'll tell me, 'Oh, you looked awful in that scene,' and I'm like, 'Well, I was giving birth at the time, so it probably worked with the character, Nan.'
When you're in the supermarket, you can usually tell straight away when someone recognises you, or they will come up to me and say, 'Well done,' or things like that. So it's nothing sinister or nothing super-crazy.
I love a good harsh horror movie, when it's done well. But there are times when it feels cynical. You can tell when a filmmaker loves the genre, and you can tell when someone's just cashing in a paycheck. Then it becomes a dumbing down - a fetishisation of violence that I react very strongly against.
Someone told me recently, "You're like Oprah, man. People will tell you anything." I'll ask questions and I don't care. If you don't want to tell me, that's fine, but it's not going to be aggressive. I'm open, too. And no judgments. It's a combination of being willing to ask the questions, and being very open myself.
We're all storytellers in this business, and I personally love to sit back and watch someone tell a story. If it's done well, there's nothing like it. It's pure.
Even if my film does well, you will not see me blowing my own trumpet. There is no time to sit and dwell on whether it's done well or not done well.
I am very much aware of my own double self... The well-known one is very under control; everything is planned and very secure. The unknown one can be very unpleasant. I think this side is responsible for all the creative work - he is in touch with the child.
Both my husband and I come from very modest backgrounds. He's obviously done very well, and I've worked hard all my life and done well, too.
The hunger [to success] is the same, no matter what it is that you're doing. It's like an unquenchable thirst to learn more, or to feel like you could have done more, and to be brutally honest and self critical, which is very hard to do. It's easy, and human nature is to just blame somebody else. It's very, very hard to self assess.
This site uses cookies to ensure you get the best experience. More info...
Got it!