A Quote by Mickey Hart

The voice of the drum is a spirit thing. — © Mickey Hart
The voice of the drum is a spirit thing.
The evocative power of the drum can be compared to the Trinity. The drum's frame comes from the trunk of a tree, and that tree has a spirit. It is not dead wood. There is also spirit in the animal skin. If there wasn't, it would not produce sound. Those, plus the spirit of the person playing become an irresistible force.
What snowboarding has always had and the Olympics has not touched is that spirit, that original spirit of creativity and athletes standing up and having a voice and being innovative. But I guess what the Olympics has done is provided a platform for that spirit, and that's what I see as being a really positive thing.
The voice of the Spirit is described in the scriptures as being neither loud nor harsh, not a voice of thunder, neither a voice of great tumultuous noise, but rather as still and small, of perfect mildness, as if it had been a whisper, and it can pierce even the very soul and cause the heart to burn. The Spirit does not get our attention by shouting.
Yeah, my drum programming especially is based on my knowledge of playing a drum kit. For the bass too, definitely. It was the first thing that I translated any sort of ideas through. It must have shaped it somehow.
Dad bought me a toy drum one Christmas and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
Dad bought me a toy drum one Christmas, and I eventually destroyed it. I wanted a real drum and he bought me a snare drum. Dad continued to buy me one drum after the other.
With a computer, you have access to so many drum sounds and samples that your snare drum will be unrelated harmonically to your kick drum.
Feeling is the voice of the body; reasoning is the voice of the mind; conscience is the voice of the spirit.
I consider the electric guitar to be like a drum with strings. It became the drum of the Baby Boom generation. And the drum has always been the center of the tribe, a new electronic tribe.
You know the drum was the first instrument besides the human voice.
There's a thing that has happened in the U.S. where the spirit has been beaten so badly and so you feel no unity in the voice of the country.
The heart jungle drum beat finds its voice in love and matchsticks.
In the late '80s and early '90s, there was a slightly retro drum sound that was popular in hip-hop music called the 808 bass drum sound. It was the bass drum sound on the 808 drum machine, and it's very deep and very resonant, and was used as the backbone as a lot of classic hip-hop tracks.
Portishead's production is just insane beats you would expect to be on a KRS-One album. But then there's this little white girl with an angel voice singing over it. It was a cool juxtaposition. I like 'It's A Fire.' That's a chill song with kind of a military drum thing going on, like a drummer boy.
You can beat the drum so hard that people stop listening. I wanted to use my voice wisely and not expend it wastefully.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
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