A Quote by Mickey Hart
Egyptian drumming happens to be a favorite of mine. It's a really simple instrument, but it's really difficult to play. You can take it anywhere with you - you can play it in your room, in an airport. It's very quiet, so you explore the quiet side.
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There were butterflies, otherwise, you're not really ready to play. The locker room, I remember, was quiet and we were very focused on playing that game.
Hearing your voice and your instrument kind of breathe in the room, it affects the way you perform the songs. For instance, if you have that reverb, you can give the songs a little more space. You can play them a little slower or you can play less of the guitar part and just let it open up, which I really love. It's so nice to play a listening room, because the audience feels a certain way too.
Be quiet in your mind, quiet in your senses, and also quiet in your body. Then, when all these are quiet, don't do anything. In that state truth will reveal itself to you.
It's harder to play a quiet character because everything happens in their stream of consciousness. They're thinking and feeling the world, but they're saying very little, so then you have to communicate it through your behavior.
I don't really have a shell. I'm really not as quiet as people think I am. I'm really not that quiet. But I don't know, I would say I'm more observant.
Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.
That's the way I came up, writing and recording at home. I developed by playing everything myself. I was a drummer first and that's my favorite instrument to play. Once I get the drums done, everything else comes real quick. Also, we track in my friends' garage, which is really small ... there's not really room to record live with a band.
There are always things I find difficult - being in crowds, remembering faces. I do like routines. I always travel with someone. My life in Avignon is a very quiet one. I have an apartment that looks over the whole city. I can drop into town, but a lot of the time I write from home. In some respects I still live a very quiet, simple life.
The distinguishing trait of people accustomed to good society is a calm, imperturbable quiet which pervades all their actions and habits, from the greatest to the least. They eat in quiet, move in quiet, live in quiet, and lose their wife, or even their money, in quiet; while low persons cannot take up either a spoon or an affront without making such an amazing noise about it.
You will not find a soulmate in the quiet of your room. You must go to a noisy place and look in the quiet corners.
When 'The Dark Side of the Moon' was a new album in 1973, a friend of mine walked into my room where I was working with a copy in his hand and said, 'You really have to do a play about this album.'
I keep saying if I ever get a good amount of quiet time that I want to learn to play cello. It's a very warm instrument. The tone of the cello and the movement - I don't know what is; I love it so much.
I think there are lots of people that believe in rock 'n' roll. It's real easy. You just find some friends to play with and then you can feel it. I think that happens all the time. To be in a band and be playing in a room really loud, even if you never play a show, that feeling is really addictive and pure.
Fundamentally, I was a very shy and quiet person growing up, so it was just really difficult getting up on a stage. It was a perverse career choice really.
I was terribly sure trees and flowers were the same as birds or people. That they thought things and talked among themselves. And we could hear them if we really tried. It was just a matter of emptying your head of all other sounds. Being very quiet and listening very hard. Sometimes I still believe that. But one can never get quiet enough.
Artists are all giving so much of ourselves to the work and the people and the press and the media and Twitter and all that now. For me, being able to create from a genuine place is really difficult lately because there's so much going on all the time, but when all that stuff gets quiet, you can explore your ideas without any ego or mental chatter.
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