A Quote by Mickey Mantle

I don't care what the situation was, how high the stakes were - the bases could be loaded and the pennant riding on every pitch, it never bothered Whitey. He pitched his game. Cool. Craft. Nerves of steel.
If the World Series was on the line and I could pick one pitcher to pitch the game, I'd choose Whitey Ford every time.
Every fight means everything. I have to stay focused no matter how high the stakes are or how low the stakes are, you have to stay focused and follow the game plan. At the end of the day it is going to be you and that guy in the ring and it's who wins the game will win the fight. That's what I learned.
Bases loaded and nobody out is a pretty impossible situation.
He wanted to care, and he could not care. For he had gone away and he could never go back anymore. The gates were closed, the sun was down, and there was no beauty left but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of youth, of illusion, of the richness of life, where his winter dreams had flourished.
You could have the bases loaded, and you bring up the best pinch-hitter in the world to pinch hit, he hits into a double play, and then all of a sudden: 'How could you do that?'
There was a point at which I thought I'd never get the most valuable player, especially the years I played at Minnesota. We never won a pennant there, we were far away from the big media centers of Los Angeles and New York, and I wasn't a flashy power hitter but a guy who hit to spots, who bunted and stole bases.
Obviously stakes and pressure have increased from high school to college to the NFL, but at the end of it, it's still a kid's game and that's how I attack it every single day. I just have fun doing it.
As I remember it, the bases were loaded.
With the situation as gray as it could be, no one was more conspicuous in his calm presence of mind than Washington. They must be "cool but determined" he had told the men before the battle, when spirits were high. Now, in the face of catastrophe, he was demonstrating what he meant by his own example. Whatever anger or torment or despair he felt, he kept to himself.
When I first made 'Green Street' and I was considered a hot director, I pitched everybody, but there was always this feeling that I was being underestimated in the room. I pitch TV, and nobody underestimates me. They literally think you could be the next whoever, and that is a very cool thing.
When I come into a game in the bottom of the ninth, bases loaded, no one out and a one-run lead ... it takes people off my mind.
The situation they [journalists and Edward Snowden] were in was incredibly heightened. The stakes were high. There was a lot of pressure, a lot of tension, a lot of sense of claustrophobic, clandestine energy that I think was exhilarating for us to explore and recreate. We were fortunate to shoot a fair amount of our stuff at the actual hotel where it all happened in Hong Kong. That added another element of very similitude to the situation, so I feel like it was exciting.
The trick to making a story matter is that every now and then, somebody you care about has to go. If it's somebody that you don't care about, then it doesn't really have - the stakes aren't there. But if you do that every now and then, then the story matters to people. And there are actual stakes involved, emotional stakes.
People never fail to amaze me. They face the unimaginable with a shot of grace and a rush of adrenaline; they steel their nerves; they summon their cool or anger or faith or whatever it takes to pull them through, and they go on to live another day.
They could never beat me in Springfield. I loved that old ballpark. If I could have pitched there all my career, I'd be a 300-game winner.
The Greatest Living Yankee is Whitey Ford, who came out of Aviation High School, which was then in Manhattan, and helped pitch the Yankees to victory in the 1950 World Series when he was 21.
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