A Quote by Mickey Rivers
I might have to commute. You know, left field, DH, wherever.
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I'll play wherever they want me to play -anywhere on the field. Do anything to help the team win. Whether that's playing left field or third base or wherever, I don't care.
At night, in the garden, it occurs to you that it might have been your heart that left you as you reached the capital. Your heart might not have travelled well, closed up in its cavity, quivering and gnawing at the bars of your ribcage during the commute. It might be tracking north now, along edgelands, past spoil-heaps and stands of pylons, under motorway passes, back to the higher ground. Back to him.
Wherever a ship ploughs the sea, or a plough furrows the field; wherever a mine yields its treasure; wherever a ship or a railroad train carries freight to market; wherever the smoke of the furnace rises, or the clang of the loom resounds; even in the lonely garret where the seamstress plies her busy needle--there is industry.
I can only speak about my own commute and can say that it has certainly affected my commute, making it longer and more hectic.
I think that creative people, wherever they are, in any field, take inspiration wherever they can find it.
The hardest thing about kicking field goals sometimes is you don't know when you're going to play. You don't know what situation you're going to be in. I remember in the Atlanta Super Bowl, it's two weeks of the biggest buildup of your life, and I didn't step on the field until there was two seconds left in the second quarter.
You never know what you do that could be totally out of left field, which actually might work and give something fresh to the whole scene, to the character, whatever. If you have that with a director who then knows how to shape it, either in the direction, in the moment, or in the editing, then that's good.
In fact, if they didn't let me commute, I would not have taken the role because I wanted to graduate high school with my classmates. I remember my agent's jaw dropping when I told him if I couldn't commute I didn't want the role.
When we're shooting, I commute to the UK, every three weeks or so, and that's hard. That's probably the toughest, physically, on me. It's a much longer commute than I've ever had to deal with. And then, there are the challenges of this particular production. It's not the kind of show that has standing sets.
Millions of Indians undertake their daily commute in our cities using their own vehicles, cabs, or other modes of personal transportation. With Shuttle, we intend to create a comfortable and reliable commute experience for them at the tap of a button on their smartphones.
Every woman who has left and gone into private practice has done fabulously. So the question is why aren't more women drawn to this field? It's helpful to enjoy the art of advocacy - verbal combat or verbal jousting. I find it telling that so many woman might be horrified, and you know, wouldn't want to do it.
Because no, I didn’t push her away. I didn’t add to her pain or do anything to hurt her. Instead, I left her alone in that room. The only person who might’ve been able to reach out and save her from herself. To pull her back from wherever she was heading. I did what she asked and I left. When I should have stayed.
Remember, a receiver can motion wherever, run wherever he wants to on the field, you can't get your hands on the guy and there is a lot of room. When you are a corner, you are playing to the boundary, which is your friend.
Email knocks me off my game. It's just for the morning commute and end of the day. Some might think I'm slow to respond, but those who need to reach me know to send me a text during those hours.
I know they don't come very often in this business, so every chance I get to step out on the field, wherever it was, I worked as hard as I could.
I just play to progressive audiences. You know, if they're watching Discovery Channel, History Channel, that kind of thing, "Monty Python" have already laid the groundwork. They're known around the world. People like that kind of surrealist, left-field humor, and that's what I do. And "Saturday Night Live," a lot of American humor. "The Simpsons," above all, the weird, left-field humor, which I love. And sardonic. So that's all I'm doing. I find that audience, and they're in every developed country around the world.
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