A Quote by Mickey Rooney
Ray Pearson, played for UCLA. He's a friend of mine.
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I hate to say it, but Christmas as a kid was always a moneymaking venture for me. I played trumpet, and a friend of mine who played trombone and a guy who played tuba, every Christmas we'd go out for three or four days beforehand and play Christmas carols on our horns.
Tears may come and go,
But there's one thing I know.
All my life you're a friend of mine.
You can depend on me.
I'll be fine...
'Cause you're a friend of mine.
I've always been playing with other people, and that's how I learned. I got a kit of drums I couldn't play, but I also knew a guitarist and a friend of mine played bass and could teach us bass, and we just played. And I learned.
On 'Cardamom,' I had pretty much total control on all of the musical stuff, but I asked a friend of mine to take the picture for the cover, and I asked a friend of mine to draw the back.
There's no such thing as holding back. I want to finish as soon as possible. The only time I did it was because he was a friend of mine. It was against Thales Leites. We went until the last round because he's a friend of mine, and I respect him.
I picked up the guitar at 12 yrs old - basically, my mother and father bought it for me for Christmas. I played one at my friend's house; when I say played it, I just played around with it at my friend's house. It just struck me as something I really wanted.
Shortly after I moved to Los Angeles, I was looking for work, and I happened to be invited to Ray's studio and sat in and played on a couple of his demos. I didn't charge him a dime for it. I was on cloud nine to be working in the same room as Ray Charles, one of my huge idols.
One of my songs was on a jazz station for awhile. It was a song that I wrote for a jazz sax player friend of mine, and I sang and played the guitar on it.
If a friend of mine gave a feast, and did not invite me to it, I should not mind a bit. But if a friend of mine had a sorrow and refused to allow me to share it, I should feel it most bitterly.
I got involved when I was a graduate student at UCLA when UCLA was the first site on the net.
There's things that you don't want to do and they keep haunting you and following you. Bennett Miller directed this project [Capote], who is a friend of mine since I was 16, and Danny Futterman wrote it, and he's also been a friend of mine since I was 16.
My brother played the game with his friends, so I thought I was a pretty smart kid and I played this friend of mine and he just crushed me and this was Brooklyn Tech High School in Brooklyn where I still live, in Brooklyn, New York and this guy beat me so bad it wasn't even funny. I couldn't understand why he beat me.
When Alan Rickman, a dear friend of mine, played villains, he always made it complicated. He didn't redeem what they did, but he made you feel that it was hard for them to be so horrible.
I love UCLA and the people at UCLA. Everybody is great.
Daniel Bryan is a friend of mine. It's sort of funny that the relationship that you saw between Team Hell No on screen, it sometimes goes the same way off screen as well. He is a great human being and good friend of mine, and frankly, the Team Hell No stuff helped me.
What is mine, even to my life, is hers I love; but the secret of my friend is not mine!
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