A Quote by Mickey Rourke
When I did Sean Penn’s movie, I think I was living in, like, a $500-a-month room, and someone called me up or bumped into me and asked me if I’d come up to work for a day. That sort of got me going a little bit. But it wasn’t until Sin City [2005] that I kind of got back into the game.
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I grew up doing theater when I was very young - always enjoyed it. Studied it in college, got my degree in it, and never really had the guts to do it professionally. But one summer, a friend of mine was with an extras agency and asked me if I wanted to be an extra with him in a movie, and I was, like, "Sure." At lunch, the writer came up to me and asked me to audition for a role. I got it, and it sort of snowballed from there.
I was able to go over [Saxophone Competition] and work a little more in Europe. I'm thankful that those of kinds of things. Simultaneously, some nice things did come in. I got a nice festival that came in, in Virginia through that. There was a club that opened in DC in the famous Willard Hotel near the White House. And the club was called The Nest. I played there a few nights. Some musicians in Philly and D.C. kind of brought me down and got me on a couple things. So things opened up a little bit.
I have a very dear friend, a great painter, called me up very upset, the work wasn’t going well… He asked me to come to his studio -- which I did -- I looked around at the work, dozens of sketches, drawings, large pictures, and I was very close to his work, intensely involved with his work, and he asked me, ‘What’s wrong?’ And I said, ‘Simple – it’s a loss of nerve.
I had been asked to open a nightclub in Atlantic City. They offered me a ridiculous amount of money. They literally overpaid me. So I did one show a night. Then they asked me back by popular demand. So I went back. Then I said, "To hell with this." I was only doing it for the money, and I was doing easy routines. It's just too much work to get up every day and practice.
My son was staying with me, and we got up to watch it, just before they announced supporting actress, he came up and put his arm around me. I think it was like, 'Either way, mom, I still love you.' But then it was funny because I saw it. I saw my picture, and I heard them announce it, but I had to ask him, 'Did I really see that?' I wasn't sure I was seeing it, but he assured me that yes, I was nominated for the Academy Award. We just sort of cried a little bit.
Stories come to me and I don't know where they come from, but afterwards I can look back and say, 'Oh yes, that's got a little bit of me, or a little bit of my own son in it'. That's where ideas come from.
The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop.
I figured there's nobody who's going to beat me or shoot me or crucify me. I can't help if people don't like me up there in Washington. I've got a district that I respect, and I think it respects me.
My journey has been up and down a little bit. Everything that has to do with success for me has sort of become a shock to me. You work so hard, you work so hard, and it happens; you're like, 'What? Wait, it's happening to me?'
When I was 17, I got a call from Konnan. He told me that he was about to start up a new promotion called AAA. A lot of the popular wrestlers were going to come to work for him, and he wanted me to be one of them.
I'm so immersed in my little world that I don't often sit back and pay attention to what's going on around me. It truly stuns me when people recognize me. Obviously, I'm not a film star, but even at a design exhibition or art exhibition, if someone comes up to me, I'm sort of taken aback. I don't think of myself like that. But if I can have an effect on young designers, that's great - particularly young designers coming from Australia. Europeans grew up with design. The rest of us lived on tidbits of information.
Jodie Foster did it, Natalie Portman did it. I think it's entirely possible to juggle university with filming... I actually think going to university will make me a better actress. The experience of living like that, working to deadlines, living with other students. It's all the things I want. There are actresses who don't know about things like doing their own laundry and getting a bus. I'm not going to be like that. For me, this is just the beginning. I've only shown a little bit of what I can do. There is so much more to come.
By the time I got to high school, I didn't play anything but baseball because I was on a mission. I really wanted to get a scholarship. I really wanted to focus all my time and efforts on baseball. When I got up to Florida State, God spoke to me very clearly and called me out of that and called me into music, which up until that point had just been a hobby.
If you come on my property, I've got you from the second that you enter on. There's little lasers... my TVs come on in my room and fall just right on you. So, there's no way to sneak up on me. And I've got a loud dog.
If you come on my property, I've got you from the second that you enter on. There's little lasers my TVs come on in my room and fall just right on you. So, there's no way to sneak up on me. And I've got a loud dog.
When I got my start, I kind of got my big break with The Princess Diaries and during the press rounds for that everyone asked me: "Did you always want to be a princess growing up?" And the truth was, no I wanted to be Catwoman. And I think a lot of women feel that way. And the fact that I am actually her is such a dream come true. It's such a pinch me moment. And the fact that I am Catwoman in Chris Nolan's Gotham to Christian Bale's Batman is unbelievably cool.
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