A Quote by Mickey Rourke

You know, back in acting school they always teach you, 'Make bold choices and look for activities that are interesting.' — © Mickey Rourke
You know, back in acting school they always teach you, 'Make bold choices and look for activities that are interesting.'
You're always going to have ups and downs - if you look at the careers of a whole bunch of people I respect, some of them have good movies, some of them have bad movies. I remember Andrew Garfield said that the only power we really have as actors - or one of the main powers we have as actors - is our choices. We can make interesting choices, but as soon as you've made that choice, so much else is in play: the director, the script can change, the other actors. All you can do is try to make interesting choices and, once you're in it, just do the best you can.
So, take what's inside you and make big, bold choices and for those who can't speak for themselves, use bold voices and make friends and love well, bring art to this place and make the world better for the whole human race.
Sometimes you have to make bold choices, creatively. I'm always in favor of that.
Well, we knew that we wanted to tell a story that made bold choices, and one of those bold choices was meeting a storm trooper and seeing who this person was. That's something that had never been done.
You have to understand being an actress, and being an African American actress of a certain hue, I think that you have to be bold with your choices. Even when you're not bold with your choices, have people see it as bold.
Hollywood movies are run on fear and they don't want to make bold choices. They, generally, speaking want to keep things status quo. That's not really interesting for me.
I used to think fashion was something unattainable and reserved only for people who look like models. But looking back, I've always made bold choices, possibly beginning with the silk jungle print jacket, orange shorts, and Nepalese cap I insisted on wearing every day when I was ten.
I run the Actor's Studio on the West Coast, and one of the things I say all the time to the people I teach - many of whom are acting teachers - is that an actor needs to make choices that make him present.
I taught public school for 26 years, but I just can't do it anymore. For years I asked the school board to let me teach a curriculum that doesn't hurt kids, but they always had other fish to fry. If you hear of a job where I don't have to hurt kids to make a living, let me know. The truth is that schools don't really teach anything, but blind obedience.
Now to what...? How we teach people to make choices and the things they're going to make choices over - that is culturally learned.
~I used to think, What if there's an interesting movie and it conflicts with the boys going to a new school for the first time?... Well, I didn't anticipate that was going to be about a two-second dilemma. I didn't know the choices would be so easy to make.~
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
Living involves making bold choices. You can't always know how they're going to turn out, and you can always play that game of wondering what might have been if you had made another decision.
I definitely want to make it very clear to everybody that the educational institution that we have, the school that Will and I have, is not a Scientology school. And that, you know, I know there's been, you know, a lot of buzz around that idea and that it is not my desire to, you know, teach Scientology at all.
A well-chosen complication should give you choices. Juggling choices for your characters is what makes writing fun, after all. If you discover that you're struggling more than you ought to with a draft, perhaps you've run out of interesting choices, or have given yourself too few choices to begin with. Go back to the complication, fatten it up, and start over.
Politics is a matter of choices, and a man doesn't set up the choices himself. And there is always a price to make a choice. You know that. You've made a choice, and you know how much it cost you. There is always a price.
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