A Quote by Mickey Rourke

Years ago I realized that maybe I made mistake, politically, when I turned a lot of that stuff down. I would go off to obscure places and make movies that six people went to see.
Watching old movies is like spending an evening with those people next door. They bore us, and we wouldn't go out of our way to see them; we drop in on them because they're so close. If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago. Like Lot's wife, we are tempted to take another look, attracted not by evil but by something that seems much more shameful -- our own innocence.
If it took some effort to see old movies, we might try to find out which were the good ones, and if people saw only the good ones maybe they would still respect old movies. As it is, people sit and watch movies that audiences walked out on thirty years ago.
Sometimes an idea from six years ago will come to me out of the blue. And maybe I haven't even seen the lyrics I wrote down, but I'll just have this physical memory of having written it, and in my mind I can see the piece of paper, and the words I wrote down, and then by muscle memory, I'll remember the chords that go along with it.
To aspiring writers, I would tell them that we live in a wonderful time where you're able to make your work visible, easily. If you think about it, even ten years ago or twenty years ago, there was a middle man, there was a publisher, there were studios, there was this world of rejection letters. Now, we're in a place where we have the technology and the ability to go shoot our own movies or to put stuff on YouTube or a blog, if you're a writer, or self-publish.
What is it about maps and globes that seems to require our undivided attention? I've spent hours looking at maps of places I will never see and maps so old that they are a record of nothing but the faintest glow of the past. Perhaps they turn us into gods, letting us look down at the insignificant drones that occupy the earth. Or maybe they simply feed off our hunger to go off into the unknown. Venturing off to places where people don't chain themselves to tedious jobs and financial debts but places of imagination, mystery and freedom Perhaps they're just trying to tell us something.
Painting was always something I thought I'd do once I retired. But then, about five or six years ago, a good mate passed away suddenly at the age of 50 and it made me realise that if I put off doing stuff until I retire, I might not ever get there.
Sports teaches you there is always a second innings in life. If you fail today, there's a second innings maybe two days later. Maybe there's another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
Sports teaches you there is always a second innings in life. If you fail today, theres a second innings maybe two days later. Maybe theres another opportunity coming up three or six months later. If you look at mistake as learnings and commit never to make a same mistake again, then you actually get better with every mistake that you make.
Coming to Buffalo three years, two and a half years ago, whatever it's been a lot of people said, 'Why are you going there? You're not going to be able to get it turned around.' But we got it turned around, with a lot of work yet to do.
I make the joke, all the time, that if you have the word "man" and a number in the title, like Batman 2, Spider-Man 2 or Iron Man 12, you'll get it made. The kind of movies I make, studios don't make them. I've made a lot of movies, and at Castle Rock, we've made 125 movies. None of them get made at a studio. I've got to scrounge around for money, every time. I just like to tell stories. I'm a storyteller, so I want the most people to see it.
Recently I made the mistake of opening a bundle of reviews that someone had sent me of a production from years and years ago, and someone had written a really lovely review except that it made a remark about the way I spoke: 'A lot of people find her voice terribly irritating.' Do they? I had no idea.
I like zombie movies, and I like genre movies a lot. To watch. Less so to make, I think. But I grew up on that stuff. I would just grow up watching a lot of horror movies, a lot of slasher movies and then zombie movies.
What I tell a girl is, your six-pack hot boyfriend right now, in six years, will be balding and maybe have a paunch. But I make you laugh every five minutes today, and I'll make you laugh 20 years from now; that's not going to go away.
The original outline for 'Mississippi Grind' was actually an attempt to go funny. But when we showed it to people we realized that maybe it wasn't as funny to other people as it was to us - we have a pretty specific sense of what's funny - and then we thought, O.K., we need to do this more like we would actually make one of our movies.
My dad was in the military, yeah. He was in the Air Force, and he was a doctor, so he would go places for six months here, and two years there. And I was home-schooled because I played the violin, and I did a lot of competitions.
I turn a lot of stuff down - big, big movies, the kind I wouldn't want to go to the cinema to see.
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