A Quote by Mickey Spillane
Nobody reads a book to get to the middle.
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Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
The most important part of a story is the ending. No one reads a book to get to the middle.
Nobody reads a reference book to be amused, much less charmed.
I'm grateful for every teacher or librarian who reads a book and says, "This is exactly the book that so-and-so needs to read; I'll get it in his hands." I'm amazed at the network of adults who make sure that kids get books.
No one ever reads a book. He reads himself through books.
If one reads enough books one has a fighting chance. Or better, one's chances of survival increase with each book one reads.
You and me will read a book and find three interesting things that we remember. But Colin finds everything intriguing. He reads a book about presidents and he remembers more of it because everything he reads clicks in his head as fugging interesting.
The parent reads the book. The kid reads the book and then they can talk about the characters instead of talking about themselves. You know there's a connection even if you don't talk about it when you read the same books.
I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.
My dad dropped out of school in middle school, but he reads five or six books a week, and my mom reads about two.
It was unimaginable what happens to you when you get known for a book that everybody reads, or that everybody has heard of. If the book is said to be sexy, the crazies come out of the woodwork.
If you want to write, you need to keep an honest, unpublishable journal that nobody reads, nobody but you.
I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.
The hell with the newspapers. Nobody reads the letters to the editor column except the nuts. It's enough to get you down.
The other book that I worry no one reads anymore is James Joyce's Ulysses. It's not easy, but every page is wonderful and repays the effort. I started reading it in high school, but I wasn't really able to grasp it. Then I read it in college. I once spent six weeks in a graduate seminar reading it. It takes that long. That's the problem. No one reads that way anymore. People may spend a week with a book, but not six.
It's a kind of zen question: if you write a book and no one reads it, is it really a book?
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