A Quote by Mickey Spillane

I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead. — © Mickey Spillane
I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead.
In 1916, Universal Studios released the first filmed adaptation of Jules Verne's novel '20,000 Leagues Under the Sea.' Georges Melies made a film by that name in 1907, but, unlike his earlier adaptations of Verne, Melies' version bears no resemblance to the book.
Science fiction [is] the kind of writing that prepares us for the necessary mutations brought about in society from an ever changing technological world and as a result. The mainstream hasn’t excluded SF; the mainstream has excluded itself. No one told Jules Verne he was a science fiction writer, but he invented the 20th century.
I was raised on the classics - Jules Verne, H.G. Wells, and others.
I remember being captivated by Jules Verne's 'Twenty Thousand Leagues Under the Sea' when I read it as a kid.
I never liked Jules Verne, believing that the real was always more fantastic than the fantastical.
As a kid I read Jules Verne, H. G. Wells, and a few others. As an adult have admired Leonardo da Vinci's drawings and notebooks.
I wasn't a big science-fiction fan growing up. But I loved Jules Verne and Sherlock Holmes. Both came into play on 'The X-Files.'
By 'scientifiction' I mean the Jules Verne, H. G. Wells, and Edgar Allan Poe type of story-a charming romance intermingled with scientific fact and prophetic vision
Sometimes I feel that a more rational explanation for all that has happened during my lifetime is that I am still only thirteen years old, reading Jules Verne or H. G. Wells, and have fallen asleep.
There's a reason why Jules Verne chose the place where the glacier was, where we start to descend into the center of the earth. That area specifically has magical powers and people come to this place from all over the world. I actually think that's true of all Iceland. I think it's so special, apart from the water and air being so clean.
To place a man in a multi-stage rocket and project him into the controlling gravitational field of the moon where the passengers can make scientific observations, perhaps land alive, and then return to earth - all that constitutes a wild dream worthy of Jules Verne.
I have always loved and avidly read the novels of Jack London, Jules Verne and Ernest Hemingway. The characters depicted in their books, who are brave and resourceful people embarking on exciting adventures, definitely shaped my inner self and nourished my love for the outdoors.
I've never translated more than one book by any author. But I'm fascinated by translators who have, like Richard Zenith, who's translated so much of Fernando Pessoa's work. I get restless for a new kind of influence. The books I've translated are books I want to learn from as a writer, to be intoxicated by. And translation is an act of writing in itself. It's an act of recreation - of a writer's cadence and tone and everything that distinguishes the voice in the book.
Lenin lived, Lenin lives, Lenin will live.
The real origin of science fiction lay in the seventeeth-century novels of exploration in fabulous lands. Therefore Jules Verne's story of travel to the moon is not science fiction because they go by rocket but because of where they go. It would be as much science fiction if they went by rubber band.
To place a man in a multi-stage rocket and project him into the controlling gravitational field of the moon where the passengers can make scientific observations, perhaps land alive, and then return to earth - all that constitutes a wild dream worthy of Jules Verne. I am bold enough to say that such a man-made voyage will never occur regardless of all future advances.
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