A Quote by Mickey Spillane

I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there. — © Mickey Spillane
I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.
September 11 reinforced for me that whatever I'm writing about, it better be something that really matters to me because we don't know what's going to happen tomorrow. And for me it's stories about people in pain in New York.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
In America, we happen to be living in a third world country from the point of view of economic and social development. I came back from New York yesterday and I took the fastest train in the country, the Acela. My wife and I took the New York-Boston train sixty years ago - it wasn't called the Acela then - and I think it's improved by about fifteen minutes since then. Any other country in the world would be about half the time. In fact when it's riding along the Connecticut turnpike it's barely keeping up with traffic, which is just scandalous.
Anywhere in New York, anywhere in the country, somewhere there's going to be a Coke sign. People identify with Coke. You can write a novel about New York and people from the country will read it if they feel that you've made them familiar with New York.
Something I've learned over time, and trying to remind myself this week as I am back in New York and feeling pretty anxious, is that things always seem less dire when you're in the country than when you're outside. I don't exactly know why it is, except that people just have to get on with their life, so they do. And you don't have time to do anything other than keep going.
It's been so overwhelming, the people in New York. That's why they call New York, New York - because they care about things and know real situations. My love for the fans, it's mouth-dropping.
I think you have to keep going. Otherwise, you know these fellas that say, "Boy I can't wait to retire. Boy, I'm going to be 65 years old, and I'm retiring and I'm quitting and that's it." Well, two weeks later they're saying to themselves, "What the hell am I gonna do?" And first thing you know they find themselves in a wheelchair or in a rocking chair going back and forth, back and forth, and that's the end of it. And suddenly you're dead.
Odd things happen in New York, which is why it's such a great source of stories.
One of the things I really worry about is that if you don't see middle class wage growth, if you don't see the economy in certain areas of the country, the middle part of the country, starting to come back in the same way that it's doing especially well, let's say, in California or New York, then people are going to become politically frustrated.
I hate to keep repeating my mantra, but, boy, there are things happening that we did not expect to happen in any way, shape, manner, or form.
I spent a whole year in New York without going back to France. And I always came back because my mother was living in New York since I was 13. So I went to summer camps, hang out at the Roxy, go to class for ballet, so I always had part of my life in New York.
But actually, I'm planning on moving to New York this year and I can tell you one reason why I think New York is incredible: I think things happen to you that you don't expect have happen to you.
If you just live in New York and you only know New York, you know a certain kind of condition of formality and informality. By being able to go to another context and to be able to use that as a counter foil to the context you know, you are about to see a wider range.
I always sort of talk about - to myself at least, or to my friends, about wanting to just keep life very simple. I've found it most simple here in New York. You know, it's basically I have a, in a way, a 9-to-5 job, you know? I do eight shows a week. I live in New York City. I get to walk everywhere, and you know, just be one of the people of the city. And it's actually wonderful.
The creative process is also the most terrifying part because you don't know exactly what's going to happen or where it is going to lead. You don't know what new dangers and challenges you'll find. It takes an enormous amount of internal security to begin with the spirit of adventure, discovery, and creativity. Without doubt, you have to leave the comfort zone of base camp and confront an entirely new and unknown wilderness.
There is a love-hate relationship between New York and the rest of the country, but New York is unarguably the city that sets the standards, the city in which all who have anything to do with the arts dream of working and succeeding.
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