A Quote by Mickie James
I was always writing - whether it's ideas, poems, whatever - because we spent so much time in the car traveling from city to city.
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I've spent most of my life in L.A. and I'm still amazed at things that I don't know about the place. There are a lot of places I've never been to yet and I may never even make it. There's so much here and there's so much of a variety in terms of culture now. It's amazing. It's all here in one big city. In a lot of ways, the city is unique in the world because it's hard to find another city that has the diversity and range. It's a microcosmic planet, if you look at it that way. And in that sense, it's very much an experimental city.
My city is not only losing jobs. We're losing people, and it's frightening. During my recent art curation at the City Club, I spent most of that time urging Cleveland residents and city officials to adopt a plan to merge East Cleveland with Cleveland so we can maintain our population, because doing nothing is no longer an option.
I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.
I sit on the steps in the heat of the sun and listen as one by one these car alarms extinguish themselves until once more only the muted roar of the city is audible, and the city, bathed in sunlight, once again resumes dreaming its collective dream. Cars roll down the city's roads, plants grow from its soil, wealth is generated in its rooms, hope is created and lost and recreated in the minds and souls of its inhabitants, and the city continues its dream and searches for those ideas that will make it strong.
Being on the road, because you do so much waiting and so much traveling. It's not the same thing as being in the same city for a week or two weeks and then another city. It's really hard. I don't think people understand this about being a touring musician, or a touring actor, or somebody who flies everywhere for business. It's incredibly disorienting.
I've spent a lot of time in L.A., it's always reminded me a bit of Jo'burg, which is a deeply segregated city. And L.A. is really like an apartheid city; white people just don't go to South Central. It's just a different world.
A city's soul is best observed during the morning, what is the culture of the city, how are the people, you also get to know whether the city is cosmopolitan or religious.
When you go away for a month on tour, there's only so much information you can take in. You're traveling city by city every day. I think five of the 30 days you actually keep with you and the rest becomes mush. And when you get back you're really mushy.
Paris. City of love. City of dreams. City of splendor. City of saints and scholars. City of gaiety. Sink of iniquity.
I'm from Queensbridge. It's the largest housing project in New York. And growing up in Queens, it was different because I wasn't really experienced in traveling to the City. I never really got used to the City.
If a person is found dead here, a postmorten will always reveal whether he has spent less than three weeks in the city. That is the length of time it takes this pollution to invade the body, after which it is there forever.
The modern city is ugly not because it is a city but because it is not enough of a city, because it is a jungle, because it is confused and anarchic, and surging with selfish and materialistic energies.
We've always been suburb people, and we lived in the East Bay when I was in Oakland. This time around, we're staying in the city, and my kids are getting that city life experience, which is something you don't get too much of in Alabama.
There are a lot of car bombs and roadside bombs, house bombs, even, in this city planted by ISIS. So - but it's going to be a tough fight ahead, and the Iraqi generals expect to take the city back, the city of Ramadi, by mid-January.
New York City is home to some of the most talented individuals anywhere, and whether you are born here or a transplant, the city has always had a tendency to breed perfection.
In 1998, Vanity Fair asked me to write a big piece for them on the 50th anniversary of the New York City Ballet. My life, to a great extent, had been spent at and with the New York City Ballet, and I decided to try it. It was very scary, writing about something I loved so much and had such strong opinions about.
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