A Quote by Miesha Tate

If you weren’t pretty, it wouldn’t matter what you said or didn’t say. That’s why you’re getting this attention. — © Miesha Tate
If you weren’t pretty, it wouldn’t matter what you said or didn’t say. That’s why you’re getting this attention.
I love you, Eliza,” I said. She thought about it. “No,” she said at last, “I don’t like it.” “Why not?” I said. “It’s as though you were pointing a gun at my head,” she said. “It’s just a way of getting somebody to say something they probably don’t mean. What else can I say, or anybody say, but, ‘I love you, too’?
I think for any actor to say they don't like attention is ridiculous. Of course we love attention. But getting attention is different than pretending the attention means something.
I love getting attention, just like a child loves it, and it's never worn off. So when people say, oh the book signings go on, why would I shoo away someone who's giving me attention? What part of standing in line for 10 hours to say how much they love you is bad to you?
You just have to believe in what you're saying and be able to explain why you said it. There's nothing I say that I can't back up or at least explain why I came to that conclusion, so I'm not afraid of getting in trouble.
My sister was born a couple years after I was, and I realized that I wasn't getting enough attention, as much attention as I used to before she showed up, and then I learned pretty early on that if I could do a silly dance or make grown-ups laugh, then the attention would come back to me, and I would be accepted.
Some people say that parents don't matter, and that's not true at all. The irony is that we pay attention to all these things that don't matter, and not to what does matter, such as parents having enough resources to provide an environment where their children have both security and freedom.
Just tell me you don't love me, and I'll let the matter drop." "What?" "What I said. Just say, 'Rai, I don't love you and I never will'. It's that simple." "Raisa, this is getting us nowhere." "Say it!
In the South you are ashamed of being a virgin. Boys. Men. They lie about it. Because it means less to women, Father said. He said it was men invented virginity not women. Father said it's like death: only a state in which the others are left and I said, But to believe it doesn't matter and he said, That's what's so sad about anything: not only virginity and I said, Why couldn't it have been me and not her who is unvirgin and he said, That's why that's sad too; nothing is even worth the changing of it.
You don't have to say it out loud. I already know why you like me.' 'You do, huh?' 'Yep.' He wrapped his arms around my waist, pulling me closer. 'So,' I said. 'Tell me' 'It's an animal attraction,' he said simply. 'Totally chemical.' 'Hmm,' I said. 'You could be right.' 'It doesn't matter, anyway, why you like me.' 'No?' 'Nope.' His hands were in my hair now, and I was leaning in, not able to totally make out his face, but his voice was clear, close to my ear. 'Just that you do.
There's not usually one reason why we do anything and, in fact, often we don't know why we've done what we've done, especially what we have said or why, for instance, in conversation, which can be very tricky. Finally, we say something and think, "Why did we say that?" In retrospect we might know.
Nobody ever sees this part,” I said. “It doesn’t matter if it’s pretty.” “So it’s like track six on an album,” Cole said.
As he was about to leave, she said, "Murtagh." He paused and turned to regard her. She hesitated for a moment, then mustered her courage and said, "Why?" She though he understood her meaning: Why her? Why save her, and now why try to rescue her? She had guessed at the answer, but she wanted to hear him say it. He stared at her for the longest while, and then, in a low, hard voice, he said, "You know why.
Look, we live in a celebrity culture and sometimes you get caught in the wave and the buzz and a lot of it's flattering but, you know, one of the things that I try to remind people of is, is that I was in politics as a state senator operating in obscurity for many years. Before that I was a community organizer working in low income communities in Chicago and nobody knew my name then. And so, having involved myself in public service for a pretty long time without getting too much attention, hopefully I can keep some of the attention that I'm getting now in perspective.
One of the last times that we played in the area before I wrote "Allentown," I remember a guy coming up to us and saying, "You're never coming back here." I said, "Why do you say that?" He said, "Well, you're probably gonna become a big star. Nobody who ever becomes big comes back here." And I felt so sad for this kid, he seemed so bitter about it. I said, "Well, I'm coming back, no matter what."
People can say you're fat because you're filling a void, or you eat for all these emotional reasons. I said, 'I don't need to focus on this anymore. It doesn't matter why I'm fat. Let's fix it.
You said you knew the perfect place to run to. A place that was empty of people, and buildings, and far, far away. A place covered in blood-red earth and sleeping life. A place longing to come alive again. It's a place for disappearing, you'd said, a place for getting lost... and for getting found. I'll take you there, you'd said. And I could say that I agreed.
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