A Quote by Miesha Tate
There's no facade; it's very real. I just don't get along with Ronda, and we don't see eye to eye on anything. We're just two completely different people. People can tell that our rivalry is very raw. It's very, very real.
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With social media, you have this new kind of way to communicate with people that's very immediate, sometimes alarmingly so, sometimes painfully so. If you could just hold some objectivity, a very direct, unfiltered, raw reflection of the way something is landing in the culture without any spin, or filtration, or anything, it's very raw.
Living is very serious, very real. It is also always a game. If we are wise, it is very real, very terrible, and very lovely, and a good deal of fun.
I'm very pragmatic in that I know there are very few greats in anything. I got lucky just to have gotten two of the real great filmmakers very early on. Better to have had them than to not have had them. I've been really fortunate. That's the key relationship on a movie: the director and the actor. Of course, you can't compare the experiences. When you're in your early 20s, you're a very different person. It was a very exciting time, and my whole world was changing. Now I'm looking back, and hoping I can still offer something. Still do good work.
EDM is very functional. It's meant to make people jump up and down and go crazy and it's real good at that. I just think in terms of expression, it's very very limiting.
The paintings of Francis Bacon to my eye are very beautiful. The paintings of Bosch or Goya are to my eye very beautiful. I've also stood in front of those same paintings with people who've said, 'let's get on to the Botticellis as soon as possible.' I have lingered, of course.
Throughout our career, people thought Bobby and I disliked each other. That's not true, but our relationship was very complicated. We were like brothers - and brothers don't always see eye to eye.
My first movie, 'Thirteen,' and it was very real - almost too real. It was very gritty, with raw human emotion. I'd love to do something like that again.
Yeah, there are a couple of wrestling shows out there with very, very good production values in RAW and SmackDown, but I think we're going to offer something completely different from what they offer, a very, very different kind of product that visually is going to look as good or better in a lot of ways.
When I was younger, I just lived my life on paper. I didn't really live in the real world very much. As a consequence, I couldn't cope with the real world and real people very well. That in itself became life threatening, so I had to stop drawing so much and learn how to cope with people.
People thought I was this doll that came to life, so I would have different people just treating me very strangely as far as I was concerned. They wanted to see if I was real.
The war on drugs is very, very real, and the war on helping people with mental illness is very, very real.
Just the life of doing what I do, being in the public eye, it's a stressful environment... You feel strange, self-aware, very foolish. Your third eye clicks on, just to try to maintain a healthy sense of perspective, and you think, 'What am I doing here? I'm just making a movie, and people want all these things from me.'
We all want to belong to something, and we all want to feel as though we have a legacy, and when you see two characters that have had that taken away from them, I think that just feels very real and very human.
The world is like a ride in an amusement park. And when you choose to go on it you think it's real because that's how powerful our minds are. And the ride goes up and down and round and round. It has thrills and chills and it's very brightly coloured and it's very loud and it's fun, for a while. Some people have been on the ride for a long time and they begin to question: "Is this real, or is this just a ride?" And other people have remembered, and they come back to us, they say, "Hey, don't worry, don't be afraid, ever, because this is just a ride." And we kill those people.
The best way to describe my work is comedy in a very, very real way. I'm not scared to look silly on camera. I take everyday situations we all go through and put a very real twist on it - things people can relate to.
There isn't any sibling rivalry; I think we have very different, very individual career paths and have never really thought that way. He's my brother. I only have one, and we're very close. We wouldn't ever allow that stuff affect our relationship.
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