A Quote by Mignon McLaughlin

The past is strapped to our backs. We do not have to see it; we can always feel it. — © Mignon McLaughlin
The past is strapped to our backs. We do not have to see it; we can always feel it.
The past is strapped to our backs. We do not have to see it; we can always feel it. People gather bundles of sticks to build bridges they never cross. People in distress will sometimes prefer a problem that is familiar to a solution that is not.
We feel good about our running backs as we have them right now, and we will continue to see how they progress.
I feel the film companies should pay for proper advertising to see that the movie will sell, instead of putting it on our backs.
We must abandon completely the notion of blaming the past for any kind of situation we're in and reverse our thinking and see that the past always flows back from the present. That now is the creative point of life. So you see it's like the idea of forgiving somebody, you change the meaning of the past by doing that...Also, watch the flow of music. The melody as its expressed is changed by notes that come later. Just as the meaning of a sentence...you wait till later to find out what the sentence means...The present is always changing the past.
The truth is I don't think actors should have to do anything but come in and act. I feel the film companies should pay for proper advertising to see that the movie will sell instead of putting it on our backs.
We see not our own backs.
I don't feel like there should have been three backs taken ahead of me. And I'll always feel that way. But there's only one draft, and I can't change it. All I can do is go out and prove myself.
The past exists only in our memories, the future only in our plans. The present is our only reality. The tree that you are aware of intellectually, because of that small time lag, is always in the past and therefore is always unreal. Any intellectually conceived object is always in the past and therefore unreal. Reality is always the moment of vision before the intellectualization takes place. There is no other reality.
There must be what Mr. Gladstone many years ago called a blessed act of oblivion. We must all turn our backs upon the horrors of the past. We must look to the future. We cannot afford to drag forward across the years that are to come the hatreds and revenges which have sprung from the injuries of the past.
I think better of our behaviour as individuals than I do when we see ourselves as members of a group. It's when people start forming groups that we have to watch our backs.
Every one has his faults: but we do not see the wallet on our own backs.
The past is always with us, in the form of our photographs, which we feel as we might a rosary, wearing them smooth with the fingering of our eyes.
I don't feel there is any spiritual or metaphysical justification for turning our backs on human suffering.
When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.
I always feel a rise in my scalp or in the backs of my wrists when something is special, whether it be a song or a man.
Art is a way you discover the past, and so it brings the past into the present and the future. That's why we have anthropologists who dig up the art from the past. You can see the refinement in the society by the art. And people will see our lack of refinement when they dig up our art.
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