A Quote by Mignon McLaughlin
We're seldom drawn to a character we admire; only to a personality we like.
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Where does a character come from? Because a character, at the end of the day, a character will be the combination of the writing of the character, the voicing of the character, the personality of the character, and what the character looks like.
I played this character twice in live action, and now I've become an animated character. It was actually fun to see myself drawn - I've never been a drawn character before.
Until a character becomes a personality it cannot be believed. Without personality, the character may do funny or interesting things, but unless people are able to identify themselves with the character, its actions will seem unreal. And without personality, a story cannot ring true to the audience.
You see a comic, and you're like, 'Oh wow: the Riddler has been drawn this way, and he's been drawn that way.' There are tons of looks, and his personality changes based on who's writing them.
Through this experience [of makimg movies], I recognized what an extraordinary set of personality traits it takes to be able to succeed in that world, and I was really drawn to the character work we could build with actors as a result.
In most good stories, it is the character's personality that creates the action of the story. If you start with real personality, a real character, then something is bound to happen.
The way we learn to write is the way we learn to talk: We listen to others and start mimicking speech, and that's how we come to become speakers. Writers you admire, you admire the way they plot, you admire the way they create a character, you admire the way they put a sentence together, those are the writers you should be reading.
I think the success of a talk show depends on how true it is to the personality of the person hosting it. The shows I really admire, like 'Oprah' and 'Ellen,' are distinctively like their hosts, so I think my show will be successful only if we try to stay consistent to my own sense of myself.
The hero of the 'Peanuts' is Charlie Brown. I play the dog that sleeps on the top of his dog box who's a philosopher. I'm drawn to that. So I'm drawn to Barbossa as I'm drawn to Einstein, because they are outsiders, and I suppose, as a character actor, that's the turf that you're locked into, in a way.
I'm drawn to New England because that's where my roots are, and I miss it. I come from many generations of New Englanders, and so, in my writing, I've been drawn back there to the landscape and the light and the type of personality that's revealed.
I admire Roger Federer, not only for his tennis but also for his personality.
A man long accustomed to admire his wife in general, seldom pauses to admire her in a particular gown or attitude, unless his attention is directed to her by the appreciative gaze of another man.
That's part of the character of Shanghainese people. They're good negotiators, they're very persistent, and you grow up in an atmosphere like that - very competitive. That becomes part of your personality: Shanghai personality becomes part of yours. Just like New Yorkers - they're often like that.
Persons in great stations have seldom their true character drawn till several years after their death. Their personal friendships and enmities must cease, and the parties they were engaged in be at an end, before their faults or their virtues can have justice done them. When writers have the least opportunities of knowing the truth, they are in the best disposition to tell it.
For we seldom admire the wit, when we dislike the man.
I'm drawn to real-life characters. A lot of the characters I play, I've had in me since second grade. I've been dragging them around my entire life, and then sometimes I marry them with different people. But seldom have I really come up with a new character. In my head it's like, "I'll pull that person out that I've been doing since sixth grade and see where they're at right now.".
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