A Quote by Mignon McLaughlin

The neurotic keeps minute track of his enemies; it is only his friends he is careless about. — © Mignon McLaughlin
The neurotic keeps minute track of his enemies; it is only his friends he is careless about.
No one should pay attention to a man delivering a lecture or a sermon on his "philosophy of life" until we know exactly how he treats his wife, his children, his neighbors, his friends, his subordinates and his enemies.
Far more unwaveringly, the neurotic keeps before his eye his God, his idol, his ideal of personality and clings to his guiding principle, losing sight in the meanwhile of reality, whereas the normal person is always ready to dispense with this crutch, this aid, and reckon unhampered with reality.
We're all so clogged with dead ideas passed from generation to generation that even the best of us don't know the way out We invented the Revolution but we don't know how to run it Look everyone wants to keep something from the past a souvenir of the old regime This man decides to keep a painting This one keeps his mistress He [ pointing ] keeps his garden He [ pointing ] keeps his estate He keeps his country house He keeps his factories This man couldn't part with his shipyards This one kept his army and that one keeps his king
The man of knowledge must be able not only to love his enemies but also to hate his friends.
To accept Christ is to know the meaning of the words 'as he is, so are we in this world.' We accept his friends as our friends, his enemies as our enemies, his ways as our ways, his rejection as our rejection, his cross as our cross, his life as our life and his future as our future. If this is what we mean when we advise the seeker to accept Christ, we had better explain it to him. He may get into deep spiritual trouble unless we do.
First of all, 'Sarkar' is not an underworld film. It's about a man at the head of a feudal set-up in the middle of a cosmopolitan city, where he almost runs a parallel government largely due to his personal charisma. And the film is about his friends and enemies and his family.
When a virtuous man is raised, it brings gladness to his friends, grief to his enemies, and glory to his posterity.
A politician knows that his friends are not always his allies, and that his adversaries are not always his enemies.
President Lincoln was once criticized for his attitude toward his enemies. "Why do you try to make friends of them?" asked an associate. "You should try to destroy them." "Am I not destroying my enemies," Lincoln gently replied, "when I make them my friends?"
The good man has his enemies. He would not be like His Lord if he had not. If we were without enemies we might fear that we were not the friends of God, for friendship of the world is enmity to God.
A man who knows the court is master of his gestures, of his eyes and of his face; he is profound, impenetratable; he dissimulates bad offices, smiles at his enemies, controls his irritation, disguises his passions, belies his heartm speaks and acts against his feelings.
And he isn't crying for her, not for his grandma, he's crying for himself: that he: too, is going to die one day. And before that his friends wil die, and the friends of his friends, and, as time passes, the children of his friends, and, if his fate is truly bitter, his own children. (58)
A man is a little thing whilst he works by and for himself, but, when he gives voice to the rules of love and justice, is godlike, his word is current in all countries; and all men, though his enemies, are made his friends and obey it as their own.
He who loves his enemies betrays his friends; this surely is not what Jesus meant.
It is curious how often one prefers his enemies to his friends.
In common with other artists the photographer wants his finished print to convey to others his own response to his subject. In the fulfillment of this aim, his greatest asset is the directness of the process he employs. But this advantage can only be retained if he simplifies his equipment and technic to the minimum necessary, and keeps his approach from from all formula, art-dogma, rules and taboos. Only then can he be free to put his photographic sight to use in discovering and revealing the nature of the world he lives in.
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