A Quote by Miguel de Cervantes

The cleverest character in comedy is the clown, for he who would make people take him for a fool, must not be one. — © Miguel de Cervantes
The cleverest character in comedy is the clown, for he who would make people take him for a fool, must not be one.
If I ever felt inclined to be timid as I was going into a room hill of people, I would say to myself, "You're the cleverest member of one of the cleverest families in the cleverest class of the cleverest nation in the world-why should you be frightened?
As a child, I was a clown. I didn't hesitate to make a fool of myself and I would love to completely take on wacky characters.
Be a clown , be a clown, All the world loves a clown. Act the fool , play the calf, And you'll always have the last laugh .
So the fool, as distinct from the scoundrel, is completely self- satisfied; in fact, he can easily become dangerous, as it does not take much to make him aggressive. A fool must therefore be treated more cautiously than a scoundrel.
The most difficult character in comedy is that of the fool, and he must be no simpleton that plays that part.
I took a couple of classes in clowning, but that was more like Lucille Ball kind of slapstick, not Ringling Brothers. But we had to do things silently, and the teacher would do this running commentary. 'Does this make Clown sad? Oh, Clown doesn't like that, does Clown?' Always 'Clown.' Never a name.
People are always saying that I must have been the class clown, with all these voices. No, I was way too shy to be the class clown; I was a class clown's writer.
I thought it would be fun to take the kind of character that nobody would like, none of our readers would like, and shove him down their throats and make them like him.
Comedy is obviously a matter of personal taste and the world always needs a clown and some people have no taste at all and any clown will do.
The crazy thing about it is she'd take him back, but the fool in him that walked out is the fool who just won't ask.
Whoever possesses abundant joy must be a good man: but he is probably not the cleverest man, although he achieves exactly what it is that the cleverest man strives with all his cleverness to achieve.
If a man is a fool, you don't train him out of being a fool by sending him to university. You merely turn him into a trained fool, ten times more dangerous.
Gravity must be natural and simple; there must be urbanity and tenderness in it. A man must not formalize on everything. He who does so is a fool; and a grave fool is, perhaps, more injurious than a light fool.
I felt audiences are happier to take comedy people who play darker people because there's a link between the psychosis of comedy and the psychosis of being a twisted character.
A fool, a fool! I met a fool i' th' forest, A motley fool! a miserable world! As I do live by food, I met a fool Who laid him down and basked him in the sun And railed on Lady Fortune in good terms, In good set terms, and yet a motley fool.
Whenever the circus would come to town, I would tell Ethan all kinds of kinky clown domination stories involving the leather clown, like the time she forced me to have sex with her in the little car, or the time she kept spraying me with the seltzer bottle until I obeyed her every command. Ethan and I would laugh and laugh at these tall tales, but I could tell deep down, he was wondering whether the leather clown was really real or not. And I would let him wonder.
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