A Quote by Miguel Ferrer

I don't know what it is that I do, but when I play a really bad guy, I'm able to bring some level of likability to it. — © Miguel Ferrer
I don't know what it is that I do, but when I play a really bad guy, I'm able to bring some level of likability to it.
I really like playing the bad guy. There are so many more objectives to play when you're mad or villainesque, or when there's some agenda that you have. That's drama, that's where the heart lives. I love playing the bad guy, but especially the bad guy who's still with the girl.
I often play the quote-unquote bad guy, and I don't know why that is but it's just something that I've always hopefully been able to tap into. Maybe I'm harboring some deep, dark secrets that even I don't know about.
I don't make the decision about what percentage of good guy or bad guy I play. For some reason, if I put my energy into the bad guy, that scares people. It's magic.
I don’t make the decision about what percentage of good guy or bad guy I play. For some reason, if I put my energy into the bad guy, that scares people. It’s magic.
I did a play once where a reviewer said, 'Martin Freeman's too nice to play a bad guy.' And I thought: 'Well, bad guys aren't always bad guys, you know?' When I see someone play the obvious villain, I know it's false.
The question of likability is a bit of a puzzler for me. You know, I don't write people with likability in mind. It's more whether or not I find them compelling.
I'm confident enough to say I was better than my mates! But with the different competitions I did play with some good players, who didn't make it for whatever reason. I was lucky enough to be able to do what I love, and my mates have continued to play at a lower level and really enjoy it, I know that's exactly what I'd be doing if I wasn't here today.
No one is really playing the good guy, but if they want to play the bad guy, I'm ready to play the super hero and take these guys out.
Everywhere I've been, from South Africa to Brazil, people are connected to it. For me, art is a way to bring people together. You can put people on the same level, the perception is the same. You can bring a worker, like a cleaning guy, or the richest guy on earth, and they will have the same feeling or they would be able to feel the same.
The number one thing for me is diversity. I always want to ensure that people can't put me in a box. I can play a bad guy, I can play a good guy, I can play a good bad guy, I can be the host of a show, I can be serious, and I can be funny.
You know, I think a lot of times what happens when we as actors know we're playing a bad guy is we get into bad guy mode. You know what, man? In real life, bad people do good things too and good people do bad things. So you don't necessarily have to be the stereotypical bad guy to still do bad things.
Saddam Hussein was a bad guy. Right? He was a bad guy, really bad guy. But you know what he did well? He killed terrorists. He did that so good. They didn't read him the rights. They didn't talk. They were terrorists. It was over.
I feel like it's really important for an actor to play different roles so people can see, "Oh, he can play that guy or he can play this guy." You're not just "THAT guy," that cowboy guy, that whatever guy. Then you are limiting yourself.
It's difficult to gauge that. With a bad guy you just know you're bad. To play a nice guy is harder - unless you are a very nice person like me of course.
As an actor in the theater you're taught that you never play a bad guy. You have to love who you are. You can't say, "Oh, I'm a bad guy." How do you play that?
You might meet a guy who turns out to be the best guy you've worked with. They don't have to be some name brand person. I've met a lot of lower level actors and directors who were terrific; that are as good as any other A level director or actor, they just don't get the recognition. So I'm happy working with anybody who wants to show up to play the game and has a clue.
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