RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?'
RoboCop the first movie was fantastic. But even if there was no movie, the concept of RoboCop is brilliant, first because it lends itself to a lot of social criticism, but also because it poses a question, 'When do you lose your humanity?
The most experience I had in the criminology field is playing a thug as an actor. That was my first paid job. The police academy at the college was paying people to reenact the calls that potential cops would get. So I got to play thugs and people who were unruly.
I was living in my van, playing on the street for almost two years.
'Chappie' would be like 'RoboCop,' but hilarious. If you mixed 'Robocop' with 'E.T.' and it was... funny, that's what it is.
As much as like my first love and first entry point into this business is through the theater, it's hard to make a living exclusively in theater, and so you kind of have to branch out and have as many revenue streams, and capacities and possibilities for expression that you can.
I always thought of myself as some sort of athlete until I started playing golf a couple years ago.
When I first read Helen Weinzweig's 'Basic Black with Pearls' several years ago, I emerged in the sort of daze that happens when a book seems to ferret out your most secret thoughts and hopes. Since then, I've described the book to others as an 'interior feminist espionage novel.'
The first long chapter of my career was almost entirely theater so that, by the time I was 30, 35, I sort of knew who I was as an actor, and I was gradually learning who I was as a human being.
Missing out an apostrophe or two does not make you an idiot. But equating party allegiance with nationhood certainly makes you a thug. And thugs don't often notice that they're thugs, usually because they're also idiots.
For years, humorous characters in cartoons have been almost exclusively male.
Although just being employed as an actor is a big thing, I'm not sure I'd be satisfied playing the same character for 30 years; it's not why I want to do this for a living.
By 1970, the first stirrings of the revolt against Modernist orthodoxy in architecture had been felt, although it would be several years more until Postmodernism was widely accepted and made classical motifs permissible in high-style building design for the first time in decades.
I just assume that I'll fail at something for several years - that I'll try my hardest and still fail for several years. With writing, that turned out to be wrong. I tried my hardest and failed for about fifteen years.
I do feel like 'The Dark Knight' is a great film, but that Batman in there? He's almost like Robocop to me. He's almost robotic looking; he's got this surgical approach to everything... He's almost not human. That's supposed to be his whole point: he's supposed to be the most human of superheroes.
I wasn't some sort of ingenue. I always saw myself as a lifer in this industry, and working as an actor on 'Wonder Years' was a first act.