A Quote by Miguel McKelvey

When we started WeWork it really was thought of holistically. — © Miguel McKelvey
When we started WeWork it really was thought of holistically.
WeWork is a platform that is powered by technology. Our members are running their entire experience with WeWork through the app.
Before I started WeWork, I owned a baby clothing company based in Dumbo, Brooklyn.
When the idea of 'We' came in, it started as a 'WeBlank: WeWork, WeLive, WeSleep, WeEat.' That was the premise at the very start.
Almost all the knowledge required to produce more food than eroding soil is available today - we just need to use that knowledge within a holistic paradigm - managing agriculture holistically, forming the policies that undergird it holistically.
When we imagine a future for both WeWork and WeLive and the other things that we're doing, it really is about unlocking people.
When Time got rid of my column, I thought it was all over. It was really sad. And then, I just started pushing it to lots of places. And I thought someone would run my column, I thought it was popular, and no one wanted it.
After Bottle Rocket, I started getting acting work. People started offering me roles in movies. It wasn't something that I thought about as a kid growing up in Texas. Actually, maybe I would have thought of it as a possibility, but it seemed so crazily far-fetched to think that you could work in movies that I really didn't ever quite imagine it. It was just lucky.
Before WeWork, I had a baby clothing company. When I started out, I had no real contacts in the garment business and no mentor to guide me on how things worked. I just had an idea to put pads on the baby clothes on to protect the baby's knees.
I started writing out all of my feelings, and people asked me, 'Have you ever thought of recording your music?' It was something I'd always thought of, but I'd never really had the confidence.
That's how it all started, when I met my wife. My music career, even though I started when I was 16, it never really started till I was like 30, when I started singing and writing my own songs, and that's when it really took off. But prior to that, I was just doing a bunch of covers.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
When I first started out, there were times I would dress or act in a way because I thought it was expected of me or that people would take me more seriously. But once I started leading in a way that was authentically me, that is when I really started to see success.
I always thought that I was a terrible writer. And I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role because, of course, it's really not me.
I always thought when I was 22 something bomb was gonna happen, then when I was 22, System started blowing up in like '96. Not blowing up really, but I started putting it into fruition. '96 is when people started noticing us, then '97 was when we got signed.
There were a couple of times where I shot things, or started off in one mode and thought, "Well, I really didn't want to do that." I would just change my mind. And frankly, I don't think anybody really cared. I didn't have some producer that had given me $10 million, demanding results. I could just kind of do whatever I thought was right, and move in that way.
'Breaking Bad' - when I started watching that show, I thought it was terrific. I love the way it was shot. I love the writing. I love the arc of Bryan Cranston's character. I just thought that was just really, really a wonderful, wonderful show.
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