A Quote by Miguel McKelvey

If I had to name my superpower, it's probably empathy. — © Miguel McKelvey
If I had to name my superpower, it's probably empathy.
The more you humanize superhero characters, the more they're relatable. The more they have a vulnerable point, whether it's emotionally or their superpower, or whatever, we relate the superpower or the loss of a superpower to their emotions. It's just fun to walk through that.
I always at home as a kid tried to move something with your hand and it doesn't move and then you get to do it in a movie. I mean my superpower is quickness but you know what I'm saying. You get a superpower and you're like "Man this is awesome. I get to pretend I have a superpower."
Empathy isn’t just listening, it’s asking the questions whose answers need to be listened to. Empathy requires inquiry as much as imagination. Empathy requires knowing you know nothing. Empathy means acknowledging a horizon of context that extends perpetually beyond what you can see.
The world is now unipolar and contains o-nly o-ne superpower. Canada shares a continent with that superpower.
In the final analysis, terror is also another proof of the fact that the superpower is not really a superpower. It was vulnerable.
My alternative to American superpower is the UN and I might add when China becomes the worlds greatest superpower you will need it too.
Empathy is cloaked in our actions - as in, we might be experiencing empathy but not realize it's empathy.
They are superpower of villains. They are superpower of Al Capone.
The first time I was in his office was when they called me in to tell me they had changed my name. I had a feeling that if I'd gone along with the name they'd chosen, I'd never be seen again. I'd be swallowed up by that name, because it was a false name: Kit Marlowe.
I'm determined to disagree with people without being disagreeable. That's part of the empathy. Empathy doesn't just extend to cute little kids. You have to have empathy when you're talking to some guy who doesn't like black people.
Plays can create empathy. If you put a Muslim character on stage, and make him a full character, you're making it possible for the audience to feel empathy, and a little empathy on both sides would help.
Know why people run marathons? …Because running is rooted in our collective imagination, and our imagination is rooted in running. Language, art, science; space shuttles, Starry Night, intravascular surgery; they all had their roots in our ability to run. Running was the superpower that made us human — which means its a superpower all humans posses.
I do not want to be controlled by any superpower. I myself consider myself the most powerful figure in the world, and that is why I do not let any superpower control me.
Empathy is the poor man's cocaine, and love is just a chemical by any other name
We humans have had from time unknown the compulsion to name things and thus to be able to deal with them. The name we give to something shapes our attitude toward it. And in ancient thought the name itself has power, so that to know someone's name is to have a certain power over him. And in some societies, as you know, there was a public name and a real or secret name, which would not be revealed to others.
I think empathy is a guy who punches you in the face at a bus station, and you're somehow able to look at that him and know enough about what situation he was in to know that he had to do that and not to hit back. That's empathy, and nothing ever happens in writing that has that kind of moral heroism about it.
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