A Quote by Miguel McKelvey
I want to be a person who says 'Hey, if something is going on, come and tell me about it.'
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Every day when I'm thinking about something or want to do something, I say, "Hey, can we shoot some stuff?" or "Hey, can you come with me to the grocery store?" or "Hey, can you..." Just so I can share my personality and who I am, and also use it as a platform to do bigger, more important things.
I would say plotting is the most difficult thing for me. Characterization is only hard because sometimes I feel I get so interested in it that I want to talk too much about the characters and that slows the story down. So I say, "Hey, people want to find out what's going to happen next, they don't want to listen to you spout off about this or that person." But I think even the bad guy deserves to tell his side of the story.
I like to talk about very different topics. I like to jump around a lot because I don't want people to come see me and then for an hour I tell jokes about being a little person. I just don't want that to happen. I understand that it's part of me, that's the first thing that you notice and it's something that people are curious about.
Josh pulls me aside. "Hey, About before, I just... I wanted to say ... well, I think you're pretty special." He says, kind of stumbling over the words a little. Like he's hesitant to say them, now i wish he'd hug me again. And then kiss me. But he doesn't. He just waves and walks off. I sigh. "Hannah, I just... I want you to know if I pause alot when I tell you how special you are I want you to think that I'm... very... very... deep," Finn says
If I'm shopping at the Gap or Old Navy, I'm saying that I'm an ordinary person: I don't want to be seen; I don't want to stand out. That's a statement. If I'm wearing a leather jacket, there's something about me that's kind of a rebel. So everybody says something, whether they want to or not.
At the end of the day it's going to hurt your feelings if someone says something mean about you, but I've learned to take a step back and ask myself if it's really going to affect me, if this person who I'm never going to know or meet doesn't like me - and it doesn't.
I hate birthdays. It's so funny, people always come up to me, "Hey! It's my birthday!" But when it's my birthday, I don't want to talk about it, I don't wanna tell anybody.
And I say, 'Hey, Lama, hey, how about a little something, you know, for the effort, you know.' And he says, 'Oh, uh, there won't be any money. But when you die, on your deathbed, you will receive total consciousness.' So I got that goin' for me, which is nice.
Faith is not about serving some tyrant in the sky that says, 'You need to get your act together.' Faith is about having a loving father who says, 'Hey, listen... I'm here with you. I'm going to hold your hand. Just rock with me.'
I tell my coach all the time "Hey, listen, coach. You know the hardest person on me isn't you, right? It's me." I'm the hardest person on myself, my biggest critic, always pushing. But there are days when I have to tell myself, "Relax, breathe, you're too stressed out." When it's no longer fun, when it's no longer something you can tolerate, that's when you have to take a break.
If people tell me something is impossible, I just want to prove that. I want to know that that's for certain. I don't want to not do something because someone says I can't.
I think when you're really passionate about something, and maybe not every person is like this, but I think there's a large group that feels deep inside, I want something different, I want something more, I want to go on my own path. It's being comfortable being uncomfortable. Because to do that, you're going to have to jump outside of the comfort zone and it isn't going to be perfect. It's going to be scary. And to me, that's when great things happen.
To want to be an actor is enough - you don't need to tell us about it. The interesting person who comes with some life experience is always the person who is going to be chosen by me.
"I'm so sorry," I whisper. I lean forward and kiss him. His eyelashes flutter and he looks at me through a haze of opiates. "Hey, Catnip." "Hey, Gale," I say. "Thought you'd be gone by now," he says. My choices are simple. I can die like a quarry in the woods or I can die here beside Gale. "I'm not going anywhere. I'm going to stay right here and cause all kinds of trouble." "Me, too," Gale says. He just manages a smile before the drugs pull him back under.
Jacián!" She yells again, and then she says something in Spanish. A moment later he comes down the hallway. "I'm going to tell Grandfather you said that," he says. "What do you want?
I'm not thinking about forcing my kids to watch my movies. It's always awkward when someone says: "Hey, I wrote a song, can I play it for you?" That would be the dynamic, if I was like: "Hey, you're my son, watch my work!" I don't want to put them in that awkward position. Just because when they get older, that's when I'm worried, that they'll judge me and say: "Yeah, my father's ******* Jack Black. He was in that cheesy movie." So, I'm going to keep it all high quality. It'll be a quality controller.
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