A Quote by Miguel McKelvey

When the idea of 'We' came in, it started as a 'WeBlank: WeWork, WeLive, WeSleep, WeEat.' That was the premise at the very start. — © Miguel McKelvey
When the idea of 'We' came in, it started as a 'WeBlank: WeWork, WeLive, WeSleep, WeEat.' That was the premise at the very start.
When we imagine a future for both WeWork and WeLive and the other things that we're doing, it really is about unlocking people.
In the big picture, we see WeLive as a huge opportunity, as big as WeWork, for sure.
WeWork is a platform that is powered by technology. Our members are running their entire experience with WeWork through the app.
I started passing out the schematics and the code listings for the computer, telling everyone here it is. It's small, it's simple, it's inexpensive: Build your own. No idea to start a company. Steve Jobs came by later and say, you know, people are interested. Why don't we start a company?
When we started WeWork it really was thought of holistically.
Before WeWork, I had a baby clothing company. When I started out, I had no real contacts in the garment business and no mentor to guide me on how things worked. I just had an idea to put pads on the baby clothes on to protect the baby's knees.
Even the most complicated stories start with a very simple premise.
No, you don't have to start your play with a premise. You can start with a character or an incident, or even a simple thought. This thought or incident grows, and the story slowly unfolds itself. You have time to find your premise in the mass of your material later. The important thing is to find it.
Before I started WeWork, I owned a baby clothing company based in Dumbo, Brooklyn.
Then I came up with this crazy idea just to walk out on the stage with no band at all and just start singing whatever came to mind. I actually fought the idea for a while because it seemed almost too radical, but it became obvious what I was supposed to be doing.
I was very resistant to my intellectualism for a while. I do start with an intellectual idea for a character. A lot of the times, it'll be the opposite of what I feel like is on the page, or it'll be just an idea that I read in a psychology textbook or in a philosophy book. I'll apply something to it that I can start to tinker with.
Everything has a purpose or premise. Every second of our life has its own premise, whether or not we are conscious of it at the time. That premise may be as simple as breathing or as complex as a vital emotional decision, but it is always there.
Sadness is a very interesting idea, this idea of sadness being some kind of default setting that artists will go into. And then I started thinking about this idea of sadness and happiness, and the idea that sadness is very loud, and happiness is quiet.
When people come and invest in India, they invest on a certain premise, and the fact that the very premise can change worries them a lot.
Evolution is a very, very important idea. It is the explanation for all of life - a stunningly simple, yet powerful explanation. If you think about it, before Darwin, we hadn't the foggiest idea of how we came into being. Now we do. It's still such an exciting idea that it is well worth everybody understanding it.
Once I started to write, it was like all the lights came on. I was always making up stories in my head. I was a daydreamer. I didn't start as a child, but once I started, I couldn't stop. It was compulsive.
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