A Quote by Miguel Syjuco

Touching on universality is an important part of effective storytelling, but the problem with cliches is that they are tired and dull. And that's where writers must try to be artful.
It can be said with complete confidence that any scientist of any age who wants to make important discoveries must study important problems. Dull or piffling problems yield dull or piffling answers. It is not enough that a problem should be "interesting".
Beware of clichés. Not just the ­clichés that Martin Amis is at war with. There are clichés of response as well as expression. There are clichés of observation and of thought - even of conception. Many novels, even quite a few adequately written ones, are ­clichés of form which conform to clichés of expectation.
It wasn't really touching to be young; it was touching not to be young, because you had less of life left. Touching to be thirty; more touching to be forty; tragic to be fifty; and heartbreaking to be sixty. As to seventy, as to eighty, one would feel as one did during the last dance of a ball, tired but fey in the paling dawn, desperately making the most of each bar of music before one went home to bed.
In 'Windtalkers,' the director John Woo is meticulous in melding his own intimate style into the cliches of a large-scale war movie, paying homage to all the tired conventions of the genre. But it's an honor that these cliches don't deserve.
When you come across with a problem in your life, do not always try to solve it; make a long jump like a kangaroo and continue your way! Sometimes problems must be leaped over without touching them!
When you're a writer, you want to try to avoid cliches. Unfortunately, when you're writing about marriage or family, all cliches seem to apply.
It's not the gentle part I have a problem with, it's the dull, stupid part.
But the underdog socialists' biggest problem isn't that they are wrong. They are not. Their biggest problem is that they're dull. Dull as a doorknob. They've got no story to tell; nor even the language to convey it in.
Peter was dull; he was at first Dull; - Oh, so dull - so very dull! Whether he talked, wrote, or rehearsed - Still with his dulness was he cursed - Dull -beyond all conception - dull.
I learned everything I ever need to know about questioning artful dodgers by covering the most artful of them all, Ronald Reagan. For Reagan, performance was as much a part of governing as understanding the details of the federal budget.
I don't think there are any clichés I try to avoid. As soon as I spot a cliché, I go for it. I feel like clichés are the most useful thing in songwriting. They're the tool on which you build all the rest of the song.
To idealize: all writing is a campaign against cliché. Not just clichés of the pen but clichés of the mind and clichés of the heart.
A big part of directing animation is deciding what you really want to do and making sure it's about something. My favorite thing about animation is the storytelling. You can really dig into the story and spend time with the writers. The writers don't just write and leave.
It is well known that "problem avoidance" is an important part of problem solving. Instead of solving the problem you go upstream and alter the system so that the problem does not occur in the first place.
There are no dull subjects. There are only dull writers.
The first thing I think about when I wake up most mornings is the fact that I'm tired. I have been tired for decades. I am tired in the morning and I am tired while becalmed in the slough of the afternoon, and I am tired in the evening, except right when I try to go to sleep.
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